[READING RESPONSE] Cuts through Hong Kong by Eunice Seng

‘Cuts through Hong Kong’ by Eunice Seng is an article on the Hong Kong romance ‘In the Mood for Love’ directed by Wong Kar-Wai. The article focuses on the film’s use of architecture and domestic spaces as a set, as well as how Wong Kar-Wai utilises the city of Hong Kong as a storytelling device. I was most interested in how the reading discussed the use of repetition and mirroring in the film. The protagonists were often shot in identical spaces, such as seemingly exiting the same doors or looking over the same balcony. The repetition of space was used

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[Reading Response]: “Cuts Through Hong Kong” by Eunice Seng

The article, “Walking in the City, and the Spatial Stories,” explores how people navigate urban environments in two modes of spatial practices: strategies, and tactics. Strategies are top-down, institutionalized plans to shape the urban space, however, NYC walkways represent a deviation from strategies. Rather, New Yorkers insist on tactics, where diverse groups crave out their paths, pushing back against planned paths, using shortcuts, and repurposing such spaces to suit the inhabitants. This form of unintentional urban landscaping work enables shorter modes to exchange goods and ideas between different cultures from the millions who walk the path leading to growth, opportunities,

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Reading response: Nezar AlSayyad

Author AlSayyad presents different layers of observation of the city in the modern world, especially in a time where mass surveillance and mediums like film are available to the masses. He elaborates on the “gaze” and how the notion of viewing and observing both people occupying the city and the actual concrete infrastructure captures the mundanity of life, generating a new archetype of experiencing space. A feature of the article that I found really interesting was the consideration of different gazes such as the token ‘male gaze’ inspiring power imbalance and a different “modern sexual economy.”    Using examples from

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Reading Response: Nezar AlSayyad

In the extract of cinema urbanism, Nezar ALSayyad has carried out three films that illustrate the evolution of voyeurism. And how it has raised further social problems such as privacy, gender equality and power.      Modern surveillance has always been a controversial topic. It avoids “peeping Tom” behaviors (it monitors criminal behaviors), yet itself is a “peeping tom” that is widely available for powerful authorities. As mentioned in all three films, powerful authorities, usually males, have the access. Which has led the problem to transform from power inequality to gender inequality, as women at this point are being objectified.

Continue readingReading Response: Nezar AlSayyad

Reading Response: Nezar AlSayyad

In the extract of cinema urbanism, Nezar ALSayyad has carried out three films that illustrate the evolution of voyeurism. And how it has raised further social problems such as privacy, gender equality and power.    Modern surveillance has always been a controversial topic. It avoids “peeping Tom” behaviors (it monitors criminal behaviors), yet itself is a “peeping tom” that is widely available for powerful authorities. As mentioned in all three films, powerful authorities, usually males, have the access. Which has led the problem to transform from power inequality to gender inequality, as women at this point are being objectified. This

Continue readingReading Response: Nezar AlSayyad

Reading Response: Nezar AlSayyad

This article introduced an emerging trend of modernity which is voyeuristic modernity. With the technological advancement, abundance of electronic surveillance has appeared. Therefore, many of movies not only record the imaging, but also depict how is the lifestyle of a city, by observing pedestrians, buildings and so on. Urban cities can be featured by voyeur at various degree. for example. In the movie of Rear Window,  Jeff, as a main character, observed his neighbour, Thorwald, in order to investigate the unfolded murder case through the rear window. We can thereby feel the atmosphere of the movie instead of being told

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[READING RESPONSE] NEZAR ALSAYYAD

The article examines the relationship between voyeurism and urban society amid widespread surveillance systems through films Rear Window, Silver, and The End of Violence. These films demonstrate the altered use of camera lens during distinctive urban periods and geographic spaces. One thing I find in common of all these films is the power inequality arise when a person or a group of people, usually males, could gain access to view, interpret, or even interfere with affairs of others being watched. Even so, women being viewed in films are sometimes willing to be objectified, which further empowered the individuals who control

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Reading Response: Nezar AlSayyad

This piece brings up an interesting point regarding voyeurism. I never thought of the idea of receiving pleasure from watching someone without them knowing; the idea of looking through a lens or a window into someone else’s life can give someone a sense of control for the voyeur, and at the same time give a sense of insecurity for the person being watched on. Rear Window uses the courtyard as a common ground for neighbours to freely interact with one another; it’s supposed to give a sense of safety and warmth as everyone is super friendly with one another. However,

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Reading Response: Nezar AlSayyad

In this reading material, the author examines the voyeur as symbolic characters of the surveillance city state and analyzes the the social phenomena behind this by applying three films: Rear Window, Silver, and The End of Violence. The way how the author relates the three films is impressive. Through windows, camera lens, or the screen, mysteries and entanglements were progressively unveiled. Desire for power, control, pleasure, and truth behind murders became the original enticement for surveillance. I was intrigued by the concept “panopticon”, which the author introduces at the beginning of this chapter and is appeared several times when relating

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Reading Response: Nezar AlSayyad

After the reading of of Nezar AISayyad, I would like to talk about the extent and aspects in which cinema and film are influencing our lives. The story in the reading is quite interesting and wired, the main character Jeff uses his binocle to observe his neighbors everyday, and accidently discover the clues of a murder. It is a story that we are not quite familiar with because we usually do not see anybody spying cause it is kind of illegal, but the story help us to think in director’s view, and the view of characters, that can help us,

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