Field Trip 1: Wan Chai Wet Market

Wide-angle. Two roads in different directions are shown in this photo, covering a wide range of angle at this district. Zoom. This photo shows a corner of the market by zooming into one of the small fruit stores. Focus. The bird is focused, and to highlight it, the background is blurred and not in the same color as its. Crop. The wall and column of the vegetable store cropped a piece of streetview in the market. Bird’s eye/aerial. This photo imitates what a bird looking down could see when it is flying across buildings and streets. Worm’s eye. This photo

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Field Trip 1: Street in Wanchai

Worm’s Eye View Wide Angle View Frame Skewed Angle Seriality Perspective First Person View Hidden in the heart of bustling Wanchai, and right next to the grand and sparkling Times Square, the Wanchai wet market had snaked through the narrow by-lanes of Bowrington and Wanchai Road to create a unique urban space of its own. Spending an entire evening observing the people and the roads reminded me of Giuliana Bruno and her discourse on ‘slow observation of the everyday’ in Architects of Time.  The photography technique inspired me to look at things in a new way while understanding my own

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Field Trip 1: Alleyways in Jordan and Mong Kok

1. Wide-angle “Verticality” 2. Zoom “Storage spaces” 3. Focus “Greenery” 4. Crop “Invasion” 5. Bird’s eye “Above” 6. Worm’s eye “Underneath the cage” 7. First person view “Routine” 8. Skewed angle “Maze” Capturing the junction of the alleyways in a panoramic view shows how the alleyways interlock with each other and that they eventually connect back to the main streets. Buildings are so packed and dense in the city, resulting in these narrow alleyways and also the complex system of pathways that join them together. Alleyways are public spaces in a sense that everyone can access to them, yet the

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Field Trip 1: Wan Chai Market -Gatekeeper of the Metropolis

Wide-angle  If the market is divided into street stalls and the ones in the composite building, relative prosperity of the former one is shown with the panorama that distorts street corners to maximize views over pedestrian flow in one single photo. Zoom Through zooming into fruits pact together, the density among a certain group of objects can be noticed, further to the groups of people, lights and buildings behind. This ultimately creates a harmony of the implied order and crowdedness in the street market. Focus The posture and facial expression when the woman is seriously choosing what to buy actually show

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Field trip1: Isolated urban space for secrets: Rooftops.

Rooftops in Hong Kong are very special urban spaces. Not like other urban spaces that are easily accessible and probably multifunctional, rooftops are extremely isolated, bare and even useless spaces. A common impression of rooftops in Hong Kong is most likely from the famous movie, Infernal Affairs. In the movie, the rooftop works as a space for secrete meetings of spys. This unique use of space shows the characteristic of rooftops, isolated but with a broad view. In everyday life, we hardly go to rooftops for a lack of easy entrance. With many machines and pipes, rooftops are dangerous places

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Field Trip 1 (Street in Wanchai)

‘Chiaroscuro’ This picture utilizes the technique of chiaroscuro. This photo was taken to mainly represent the difference between the rich and the poor. As you can see in this picture, the architectures in the front are basically dark. This darkness is meant to represent normal people who aren’t that wealthy. In contrast, the buildings in the back are brighter than the buildings in the front. They are different from typical housings in Hong Kong by the use of meticulous designs. These two contrasting types of buildings were used to indicate the problem of rich and poor in Hong Kong. ‘Wide

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Field Trip 1 (Wanchai Market)

Architecture, at the end, is all about human. It is about the way that embraces the human beings, enriches our lives, and supports our adventures. Hence, I really wanted to capture the scene that both contains the human figure and his/her ‘architecture’, where they spend most of their time – the place where their meanings of existence stands. This photo is divided into two main themes: view frame and outside of the frame. The top part of the photo shows the typical architecture style of Hong Kong, which is the merge of buildings from past several decades and buildings from

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Let the reel time go beyond the real time

In her essay, Architects of time: Reel Images from Warhol To Tsai Ming-Liang, Italian scholar Giuliana Bruno tries to explore the connection of space and time in the post-modernism films. By examining several films from Andy Warhol and Tsai Ming-Liang, she regards these films as they “come to “architect” the very mood of inner life—a landscape of temps mort, a geology of passage. “and they also reveal one of the characteristics of the modernity, “A radical temporal refashioning of subjectivity”. Taking Warhol’s Empire (1964) as an example, she explains how the atmosphere reconstructs the architecture with the continuous interaction of

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