Field Trip 1: Alleyways in Jordan and Mong Kok

1. Wide-angle “Verticality” 2. Zoom “Storage spaces” 3. Focus “Greenery” 4. Crop “Invasion” 5. Bird’s eye “Above” 6. Worm’s eye “Underneath the cage” 7. First person view “Routine” 8. Skewed angle “Maze” Capturing the junction of the alleyways in a panoramic view shows how the alleyways interlock with each other and that they eventually connect back to the main streets. Buildings are so packed and dense in the city, resulting in these narrow alleyways and also the complex system of pathways that join them together. Alleyways are public spaces in a sense that everyone can access to them, yet the

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Workshop 1 Wan Chai Wet Market

Wide-Angle shows the overview of the wet market horizontally Focus emphasizes on the freshness of the seafood by blurring other objects Zoom magnifies the hand movements of the meat stall owner Crop The cover of boxes placed on the roadside has cropped the image Bird’s eye show the plan and organisation of a space from above Worm’s eye makes the meat stall looks taller First person view shows what vivid color of meat hung for sale in meat stalls View Frame emphasizes how the warm light affects the atmosphere of the stall by limiting the frame of the image Skewed

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Field Trip 1: Wan Chai Market -Gatekeeper of the Metropolis

Wide-angle  If the market is divided into street stalls and the ones in the composite building, relative prosperity of the former one is shown with the panorama that distorts street corners to maximize views over pedestrian flow in one single photo. Zoom Through zooming into fruits pact together, the density among a certain group of objects can be noticed, further to the groups of people, lights and buildings behind. This ultimately creates a harmony of the implied order and crowdedness in the street market. Focus The posture and facial expression when the woman is seriously choosing what to buy actually show

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Workshop1 Interview (Hour25 Production)

Question1: The theme of inception broke the rule of gravity, that’s why in the video an existing architecture (Knowles Building) can be framed from a different perspective. For example, the vertical and horizontal components were reversed, plans can be seen as sections and vice versa. Did such new perspectives bring any ideas to your designs? Answer1: Indeed rewriting familiar spaces in daily life, (as was the experience of drafting the script of 惑SECTION) could unleash your imagination and open up new perspective to mundane spaces in our surrounding. This is especially important for architects-to-be: to develop the sensitivity to “see” beyond the

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Field trip1: Isolated urban space for secrets: Rooftops.

Rooftops in Hong Kong are very special urban spaces. Not like other urban spaces that are easily accessible and probably multifunctional, rooftops are extremely isolated, bare and even useless spaces. A common impression of rooftops in Hong Kong is most likely from the famous movie, Infernal Affairs. In the movie, the rooftop works as a space for secrete meetings of spys. This unique use of space shows the characteristic of rooftops, isolated but with a broad view. In everyday life, we hardly go to rooftops for a lack of easy entrance. With many machines and pipes, rooftops are dangerous places

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Field Trip 1 (Street in Wanchai)

‘Chiaroscuro’ This picture utilizes the technique of chiaroscuro. This photo was taken to mainly represent the difference between the rich and the poor. As you can see in this picture, the architectures in the front are basically dark. This darkness is meant to represent normal people who aren’t that wealthy. In contrast, the buildings in the back are brighter than the buildings in the front. They are different from typical housings in Hong Kong by the use of meticulous designs. These two contrasting types of buildings were used to indicate the problem of rich and poor in Hong Kong. ‘Wide

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Workshop Interview (Hour25 Production)

First Question: In Inception, Cobb’s totem keeps spinning and the ending of the film didn’t include whether it falls or not. So Cobb could be still in his dream or is back to reality. When you base 惑SECTION on Inception, are you trying to imply that architectural students cannot escape from their dream as well? If yes, why? Reply: The story of 惑SECTION was a narrated conclusion to the experience of studying architecture at HKU for 5 years. It was conceived at the beginning of the thesis year. At that particular moment, there were both excitement and nervousness in preparing a

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Field Trip 1 (Wanchai Market)

Architecture, at the end, is all about human. It is about the way that embraces the human beings, enriches our lives, and supports our adventures. Hence, I really wanted to capture the scene that both contains the human figure and his/her ‘architecture’, where they spend most of their time – the place where their meanings of existence stands. This photo is divided into two main themes: view frame and outside of the frame. The top part of the photo shows the typical architecture style of Hong Kong, which is the merge of buildings from past several decades and buildings from

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Interview: Hour25 Production

Sun Yub: 1) Besides the team’s masterpiece, 惑SECTION, are there any key identities that the team always tries to implicate or merge with each projects that you works on? 2) What is the definition of ‘good’ design for Hour25 Production? 3) What are the strengths that differentiates Hour25 from other design teams?   UID: Kim SUN YUB 3035550561

Interview: Hour25 Production

  Question: In the movie clips, I saw that you broke apart the Knowles Building very creatively using frames. When incorporating existing architecture in film, how do you maintain the integrity of architecture and make sure that it remains one of the main points of the film? How do you ensure that it still leaves an impact on people’s minds, other than the plot and the dialogues? Reply: The story of 惑SECTION was a narrated conclusion to the experience of studying architecture at HKU for 5 years. In the very beginning, it is the script writers’ intention to include all locations

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