[Reading Response] Leaving the Movie Theater by Roland Barthes

In Leaving the Movie Theater, Roland Barthes describes his healing of the movie theater brought about by a certain kind of hypnosis. He introduces it with the effect that musical hypnosis has had on him, and our entry process into the theater serves as a prerequisite for hypnosis. The author graphically describes everything from the entrance before the movie starts, the immersion of the audience during the movie screening, to how the movie theater is set up so that the audience is only intoxicated by the movie.   The attraction of the cinema lies mainly in its “darkness”, which naturally focuses the

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[Reading Response] Roland Barthes

In “Leaving the Movie Theater,” the author describes his departure from the cinema in a dazed and hypnotic state, seeking a sense of healing and likening the experience to entrancing orchestral music. He enters the movie theater with the desire to feel hypnotized even before the film begins, finding the entire cinematic experience to be the source of his lethargy. The author uses rich vocabulary to describe the entire experience; when the theater darkens, the anticipation before the film, and the immersion of the audience into the world of the film. The power of cinema is able to evoke a

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[Reading Response] Leaving the Movie Theater_Roland Barthes

In “Leaving the Movie Theater,” the author scrutinizes the importance of darkness in shaping the audience’s cinematic engagement. Darkness is depicted not simply as the absence of light, but as a deliberate and indispensable component that fosters imaginative freedom and relaxation within the theater environment. Unlike the familiarity of watching television at home, the darkness of the theater offers a sense of seclusion and tranquility, allowing viewers to fully immerse themselves in the cinematic narrative. This resonated deeply with my recent cinema visit, where I personally experienced how darkness transcended visual perception to create a profound emotional connection among audience

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[Reading Response] Leaving the Movie Theater by Robert Barthes

In the realm of watching films, an interesting dichotomy exists between the traditional allure of cinema theaters and the modern comfort of home viewing.  Each way offers a unique type of experience, and people’s choices speak volumes about their preferences for immersion and convenience in their cinematic adventures. The allure of the movie theater is undeniable. It is a space where the rest of the world dims to black, leaving only the vibrant narrative to unfold on the screen in front of us. Such darkness is not simply the absence of light; it is a canvas for our imaginations, enhancing

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[Reading Response] Inspired by “Leaving the Movie Theater”

Cinema, a major art form with a history of over two hundred years, has been subject to various philosophical interpretations. “Leaving the Movie Theater” can be seen as a psychoanalytic article, evident from its rich psychological terminology and interpretations of behavior-psychology connections. The article offers a fresh perspective on the experience of leaving the movie theater. It highlights the unique nature of the cinema as an enclosed, introverted space. The intense light from the screen hinders adaptation to the darkness, blurring everything outside. This creates a state of “hypnosis” for the audience. According to Sigmund Freud, hypnosis requires a twilight

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[Reading Response] : Leaving the Movie Theater by Roland Barthes

We all have certain patterns when it comes to watching films. Some enjoy going to the cinema to watch the latest premieres, while others prefer staying at home, ordering food, and watching in comfort under a blanket. But why do we choose these places, and what makes our viewing experience more fulfilling? Roland Barthes discusses the hypnotic effect of cinema on viewers. He argues that the intimacy created by the darkness of the cinema enhances our perception of the film. We feel hidden and sensorily vulnerable in the dark, fully immersing ourselves in the movie on the screen – the

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[Reading response] Roland Barthes, The Rustle of Language

Begin with a question taken from the article – Is there a meaning regarding the ‘darkness’ of the cinema, and what makes it being one of the critical elements in the ‘opaque cube’? The fast-food culture has entirely altered people’s consumption trend. The rise of streaming platforms is one of the major reasons contributing to the phenomenon, which provides accessibility to different movies for someone who has purchased the subscription plan. The purpose of going to the cinema therefore is no longer being significant. However, the experience could be entirely different when one leaves the movie theatre. Watching movie in

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[Reading Response] Noirs: The city, The Woman and Other Spaces

The article synthesizes the intersections of architecture and film in Hong Kong, illustrating a narrative that weaves through the city’s evolving identity from the 1950s and 1960s. In addition to depicting the individual tales of working-class women—elevator girls, office ladies, and factory workers—the noir and melodrama-infused movies of this era also highlighted the significant changes that had taken place in the urban environment. These film pieces, which represent the women’s tenacity in the face of social change, depicted their real-life experiences against the backdrop of both rising high-rise buildings and vanishing colonial architecture. The reading outlines how the preservation of

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[READING RESPONSE] ROLAND BARTHES

The article – “Leaving the Movie Theater” by Roland Barthes clearly articulates his view of the cinematic experience as hypnosis and makes a comparison with a television experience.  Movie theatres are special and unique in many ways. Most importantly, they are filled with “darkness”. The emptiness draws the crowd’s focus to the screen. In addition, with multidimensional audio, the audience would be fully immersed in the cinematic world through sense stimulation, mainly sight and hearing. Thus, the viewers would hear what the characters hear and see what they see.  On the contrary, televised programs or streamed content are usually viewed

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[Reading Response] Leaving the Movie Theatre_Roland Barthes

Barthes’s essay compares the movie-going experience to a response to idleness and leisure, with the darkness and environment of the movie theater, discussing his experiences in and after leaving the movie theater: the state of hypnosis, “pseudo-nature” as well as the healing cocoon.   What I found most thought-provoking in Barthes’s essay was beyond the discussion of hypnosis. It is the discourses about how to get unglued to the “mirror”. Because this is what I often experience after watching movies, and it is even the obsession that prevented me from movie in a way. After seeing art films like Dead

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