In Science fictions, cities are always migratory. In contrast to Le Corbusier’s proposals for building high rise buildings in fixed placed, migratory cities are movable and flexible, which means they do not have a fixed location. For example, in fiction Armada, cities are built on ships that are connected together and floating on the water. This scenery reminds me of the rising sea level nowadays due to global warming, which has threatened some low-level cities and small islands to vanish from the ground level. This is the issue that our many countries across the world have been working on, developed

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There are quite a few parallels we can draw between sci-fi films and reality. The hunter-gatherer city has a few versions. The first version is quite benign, it only looks for better places to reside, when its original location is polluted or politically unsuitable. Other versions are less friendly, some throw citizens out and others may be led by greed. The harmful version reminds me of some countries which throw out their minorities today. Their rights are disrespected and their wellbeing or even right to life threatened. This happens in India to Muslims, in Myanmar to Rohingya, etc. Although the

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In Abbott’s text, a review concerning the cities in sci-fi films and a probable future of humanity is raised. Examples of imaginary cities from various sci-fi films are used to discuss how our future world will become. And most of these examples depict a dark and pessimistic future of humanity.  This idea has some kind of resonance for the genre of ‘Cyberpunk’. In movies or literature that falls into the genre of cyberpunk, people are living with ‘high tech, low life’ as the advanced technology is used by tyrannical authorities as a tool to control them. The ‘low life’ of

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Science-fiction has always played a strong resonance with the architecture in reality. It is unsurprising to see how familiar the architecture in film looks as creativity still has to be based on reality. For instance, the repetitive buildings in Inception are taken reference from cities in the modern world Meanwhile, the future is also projected through film. M. Christine Boyer depicted Cyber City in 1992.  In the 21st century, cyber cities have swept across the globe, and become more prevalent during the pandemic. Films have given different possibilities of our future in which our behaviours are pivotal to. In the

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Imagination has no boundaries but does have some limitations, which reflect the norms and values of a given society. From forms to information, as Michael Heim mentioned, is what Boyer tried to discuss. Despite its sci-fi nature, such change is not only due to technological advancement. It is interesting to see, for example, how the game theory represents an efficient-oriented mindset and assimilate into the imagination of cybercities. I appreciate the anime ‘Ghost in the shell’, which defines cybercity as ‘Still not able to integrate the individual into unity.’ Somehow it is exactly the world nowadays, we are interconnected by

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