Ghost in the Shell: Hong Kong’s Identity Crisis

In his essay ‘Building on Disappearance’, Akbar Abbas explored the disappearance of the city and the current self-definition dilemma. This dilemma is played out in space: while the Empire faded, centuries of influence and subjugation persist in the very streets of this multicultural ‘future’ city dominated by intersections of old and new, or more cliché East and the West. He contended that new challenges are present in Hong Kong’s extensive search for identity amid the rubble of British colonialism and the ongoing political integration with China. In his eyes, the irony lies where the very people of Hong Kong avoid

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Eroticism of the Cinema- Freedom

  In 1895, Lumiere brothers screened ten 50 second videos using their invention of Cinematographe in the darkened room Salon Indien of the Grand Café in Paris. This was the first public screening of commercial movies. Their short films were later screened in various other nations not only in US and the adjacent countriesbut also countries in Asia like Hong Kong, Shanghai and Bombay. Since it was before the cinema was built in most places, they were presented in Gardens or in tea houses in China. Back when we were just introduced to film, we simply sought for any black

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Hong Kong as a boring city

“Building on disappearance Hong Kong architecture and colonial space” is mainly about the issue of the identity of Hong Kong as a city being disappeared and the writer argues the issue through economic, cultural and political aspects. The highly dense population and the housing problem makes all the building type should only be functional so, consequently, all the buildings are drab and tall. It has become the main reason for killing the potential of designing various building styles and the other characteristics of the city have been disappeared. It shows “market erodes place” that the building type is controlled from the

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Preservation of Hong Kong’s Identity

When people talk about a place, what comes up to mind at that instant is always a certain piece of architecture or the so-called landmark of a place. But Abbas brought up the critique of architecture being barely a piece of visual evidence does not take a role in representing a city’s identity (Abbas, Building on Disappearance, p.64). Which this leads to the discussion of what can represent the city or specifically, what can represent Hong Kong? Architecture as an object changes through time, due to the accentuation of the economy, old types of buildings cannot reach the standard of

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The attraction of Movie Theatre

In the essay, ‘Leaving the Movie Theatre’, Ronald Barthes presents us how the movie theatre attracts people. There is an inconceivable magic in the theatre s that lead people watching movies. The structure of the movie theatre is basically the same, with a combination of a big screen, large amounts of seats and lighting. Why there are movie theatres which are specifically for watching movies? How these part of combination in movie theatre work to attract people? We will discuss more below. There is inseparable relationship between movie and movie theater. The first movie ‘Arrival of a train at LA

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The Remains and Disappearance: The Selectiveness of Architecture Preservation in Hong Kong under the Post-Colonial Context

Do the preserved old buildings represent the cultural memory of a city? Is it totally accidental that so many examples of preservation of architecture give people a sense of nostalgia? The essay Building on Disappearance: Hong Kong Architecture and Colonial Space written by Ackar Abbas (1997) argues that architecture preservation is not equal to the memory of Hong Kong, but the painless déjà vu after selection. The argument can be proved through the study of the Merely Local constructions, which indicates the buildings belong to a specific historical period and have been preserved until now. They have deeply rooted in Hong Kong’s

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Preservation Through the Combination of Film, History, and Architecture

Building on Disappearance In his essay “Hong Kong: Culture and the politics of disappearance”, Ackbar Abbas examines the disappearance of colonial buildings and colonial history. The writer highlights the importance of the preservation process by depicting the importance of architecture as visual evidence of the city’s identity. He then links to three examples of preservation cases, which are misled, in Hong Kong to emphasize how true values of colonial identity have crumbled down. One notable example is the Repulse Bay hotel. First built in 1920 and remodeled in early 1982, the Repulse Bay has transformed from grand colonial style building

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Preservation in Hong Kong

In his writing, ‘Building on Disappearance,’ Abba describes the colonial space and disappearance of history. Among those variable topics in his reading, he explains why preservation of old buildings are important. Abba states that “preservation of old buildings gives us history in site, but it also means keeping history in sight.” (Abba, Building on Disappearance, p. 66). As Abba mentioned, preservation of old buildings are critical since it represents the history of one’s country. However, the word ‘preservation’ does not fit well to Hong Kong. Compared to other countries like South Korea or Japan, Hong Kong does not contain many

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The value of preservation

What is Hong Kong? This question to myself stayed in my head for the whole afternoon after I finished the reading ‘Building on Disappearance’ written by Ackar Abbas. In this reading the author investigated into the phenomenon of Hong Kong this city’s disappearance. The author challenges the idea of preservation, claiming that the act of preserving architecture is exactly what causes the disappearance of the city itself. Abbas claimed that the historic values didn’t survive through the preservation process. Either the architecture became a decoration to new buildings like the case of the clock tower in Tsim Sha Tsui, or

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Architecture and Time

    “The architectural landscape is the geology of modern times.” In her paper, Architects of Time: Reel Images from Warhol To Tsai Ming-Liang, Giuliana Bruno talks about the connect of Film and Architecture on a scale of time. If architecture is a way to portray urban space and cityscapes in films, then time is what captures the essence of that era, and makes architecture timeless in the film that it is captured in. She does so by taking the example of Andy Warhol’s films like Empire, Sleep and Kiss that capture New York’s famous Empire State Building and with

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