[READING RESPONSE] Cuts through Hong Kong by Eunice Seng
‘Cuts through Hong Kong’ by Eunice Seng is an article on the Hong Kong romance ‘In the Mood for Love’ directed by Wong Kar-Wai. The article focuses on the film’s use of architecture and domestic spaces as a set, as well as how Wong Kar-Wai utilises the city of Hong Kong as a storytelling device. I was most interested in how the reading discussed the use of repetition and mirroring in the film. The protagonists were often shot in identical spaces, such as seemingly exiting the same doors or looking over the same balcony. The repetition of space was used
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