[Reading Response: Ackbar Abbas]

Concerning Hong Kong architecture, Abbas has summarised three features in the article, pointing directly to styles of local buildings which we should be able to observe yet may not be aware of. I do believe that these three key points would provide some insight into future urban planning. Firstly, Hong Kong’s extreme receptivity is what makes the city display a mixture of architectural styles, and the root cause is unavoidably related to a lack of clear or fixed identity. Constant building and re-building, being the second feature, erased cultural collective memories while what’s coming next are more profitable modern monstrosities.

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[READING RESPONSE] Abbas, M.A.

Across the post-colonial chronology, the cityscape of Hong Kong is homogeneous to another generic metropolis. Abbas suggested an identity crises within ourselves, which we’ve struggled from properly, then selectively, preserve our past; the city is overexposed and oversaturated beyond the scope of vernacular and communal memory.  The culture of Hong Kong, whose appearance is accompanied by a sense of the imminence of its disappearance, and the cause of its emergence, 1997, may also be the cause of its demise. In fact, Hong Kong is hyper dependent to what others define it to be, as much as the beyond inclusivity of

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Reading Response: Michel de Certeau

There exists a tight relationship between the people and the city. Most people spend their lives in the city. City, constructed by people, as a container, holds different spaces where people stay or pass by. For the concept of a city, Certeau (1984) explained it as a whole whose contents are unified and multiple. On the birth of it, all kinds of regulations and systems were established to make sure its order, which we can quickly get to know from its appearances, such as buildings, infrastructure and roads. We can also know about it when we reflect ourselves’ life routines.

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[Reading Response: Michel de Certeau]

Space is one of the parts that is an important part of everyday life. Also, Those spaces of each people are based on the lifestyle. People get used to those places that they start to feel comfortable in those places. Also, the size of those spaces could be different base on the transportation they use. Many films include those architecture and spaces that the majority of people used to have their daily life. For example, the film ‘rare window’ shows the building that full of many people’s homes. I have learned the Impact of architecture created for the people who

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[Reading Response: Ackbar Abbas]

  In the article, Abbas focuses on the disappearance of Hong Kong architecture and behind it the disappearance of local culture. Disappearance, which can be particularly defined for Hong Kong architectures as a displacement of attention from the sometimes conflictual colonial history of Hong Kong to the harmonious accommodation of Chinese culture in colonial architecture in this article, can be considered as arising from Hong Kong’s colonial history and the cultural and political mood in 1997. The author deliberately raised the topic of architectural preservation, whose use brings about the disappearance of local history though it has its legitimate use,

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Reading Response: Ackbar Abbas & Michel de Certeau

EVERYDAY SPACES AS NARRATIVE (I tried to connect these two materials together as I think the ideas conducted by these two writers could interrelated in some degree.) How do we connect the place and space? As mentioned in the tutorial, when central, the physical existing place being full around by those domestic helpers from The Philippine, the flowing people seem to mobilize it and thus form and reshape a new space, to echo the concept introduced by Michel- to walk is to lack a place. The active form of walking people making the place passive and no longer stable and

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[Reading Response: Ackbar Abbas]

In the passage, the author criticized that preservation projects actually contribute to the demolish of history. He stated that the preservation situation in Hong Kong is solely ‘visual consumption’. Yet, conserving visually does not means that it does not have any significance in it. We mainly experienced our city visually, therefore visual is the most important element in creating collative memory. This ‘images’ can act as a monument to reminds the public about the history of the space. He also points out that conservation projects in Hong Kong are unrelated to its history, which historical significance is undeniably negatively affected.

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Reading Response: Ackbar Abbas

The reading focused on the disappearances of history and pointed out the absence of strong local identities. Preservation of old architectures is a way to retain the culture and history visually. However, the disappearance of history still happened in the wrong way of preservation. For example, the clock tower in Tsim Tsa Tsui is just a decoration without keeping the history of it. We must consider which buildings should we keep and how to preserve them. Instead of preserving some old private buildings, we have to preserve those with collective memories and have an influence on the territory. Moreover, it

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Reading Response: Michel De Certeau

After reading Michel De Certeau’s walking in the city, I immediately thought of the government’s proposing plan of building a boardwalk underneath Island East Corridor. According to Michel, pedestrians is an important element in a space as their action and style created the meaning of the place. Therefore, if the place underneath IEC can be designed in a way that foster cultural exchange and is inclusive to artistic activities, it can improve the cultural value and sense of belonging to citizens in North Point. Currently, there is a tradition of people fishing on the column of IEC and it has

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[Reading Response: Ackbar Abbas] Oscar Wong

Through the tutorial discussion we explored Ackbar Abbas’ report on “Building on Disappearance: Hong Kong” and how it introduces to readers the concept of a disappearance of history through Hong Kong’s efforts of preservation of its built environment and how it interplays with the one of the three categories of Hong Kong architecture “Merely Local”. Abbas’ direct perspective on how preservation does not directly correlate to memories was an idea that I found personally interesting. Preservation is selective in Hong Kong because the structure being preserved is usually repurposed or has an imposed new intention behind it which is usually

Continue reading[Reading Response: Ackbar Abbas] Oscar Wong