[Reading Response: Michel de Certeau]

In this reading, Michel uses an interesting comparison of everyday spaces and narratives. Similarly, both subjects involve certain aspects that are made up of our participation, either physical or imagination. Unlike a ‘place’, which has a more rigid structure, spaces are more fluid, meaning that one place could have multiple spaces, either coexisting or not. Based on this, there could be numerous narratives of one place at the same time, which gives the word ‘metaphor’ another meaning in reality. Metaphor is defined as a figure of speech that describes an entity not based on its appearance but to illustrate an

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Reading Response: Pamela Wojcik

The author talks about some personal understanding of apartment plot of films in the article. She points out that as a genre, apartment plots in films are not only settings presented as a background, but also a part of narrative, it can show characters’ identity like gender, race, ethnicity and class. From the opposite part of view it makes the film logical, making characters’ behaviors reasonable. A successful apartment plot may let audience experience immersive entertainment. With the film plot going further, the audiences are stepping inside the film and thus the apartment will offer them a sense of familiarity.

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[Reading Response: Pamela Wojcik]

It is mentioned in the article that apartment houses provide unwitting spectacles for each other, which has attracted me to dive deep into apartment and life. In our daily lives, we simply treat apartment as where we live but seldom discuss its connection with our lives and people around specifically. It is quite amusing yet thought-provoking that apartment actually acts as a mirror for us to examine our own lives in a more physical way, as well as to observe ourselves through the eyes of others. Concerning the role of apartment in films, it is a stylistic device to reflect

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[Reading Response: Michel de Certeau]

The distinction between space and place attracted my attention from the beginning. A place is an instantaneous configuration of positions that implies an indication of stability while space is composed of intersections of mobile elements which has none of the univocity of stability in contradistinction to the place. From the Michel De Certeau’s point of view, “space is a practiced place”. In resonantly poetic language, every story is a travel story — a spatial practice and stories could also take the noble name of “every day”. However, from the perspective of social science, these metaphors can be noted on the

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[Reading Response: Pamela Wojcik]

In the introduction to apartment plot, Pamela Wojcik mentioned the relationship between apartment plot genre, which I understand as using apartment space storytelling or character setting, and the use of it as a critical genre to intersect with other genre. The space of apartment represent the experience, lifestyle and value of a character or the tone that a movie tried to set. One film that I found using apartment plot after I read the essay was Léon: The Professional. The two characters were living as neighbours in a poverty region of little Italy in New York. The setting of  apartment

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[READING RESPONSE: PAMELA WOJCIK]

“The apartment plot can lay out a larger urban space before narrowing to focus on the apartment as a microcosm of the city. “It represents the apartment plot can be understood as an urban gaze like an idiom “Child is father of the man”. Due to the tenants with different genders, rates, ethnicities and classes, the apartment is complex. It reminds me a television series named Friends which mainly shot inside the apartment, tell us the stories between the tenants. Conflicts would be created through encounter and can cause new things based on reaction between people.The article also proposes the

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[Reading Response: Michel de Certeau]

‘A space exists when one takes into consideration vectors of direction, velocities, and time variables. Thus space is composed of intersections of mobile elements.’ is one of the lines that resonates with my thought. I like photography and sometimes I like to take time-lapse videos when I am traveling (an example below is a footage of Field-Homework 2 but I eventually did not pick the clip due hand-held shakiness), one of the reason is that time-lapses give a general picture of how people move and interact in a certain space, which I find very fascinating, and it helps you to

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[Reading Response: Michel de Certeau]

The ideal meaing about teh space define on the activity of individudual. The Quote “spaces is a praticed place” represent that those places that people live is based on people’s life style. Those native people have deep impact on the plcease that each region has their own unique place. Even those urban buildings have similarities, each places seems different due to those people’s lifestyle. They different way people designed the city also impact on the urban area. It is because those urban cities usually designed by people, which is different from the ancient places, which those planned cities are usually

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[Reading Response] Michel de Certeau

Every story is a travel story, a spatial practice. It’s interesting how Michel takes the poetry of writing as an example, where the written alphabets are the spaces creation, via travel, whilst the book is then the place created. But morphologically, the organisation a written article to a spatial travelling differs, their journeys and experience maybe coherent and interfering, but at its base, they’re merely at the same modem. Michel also highlights the idea of “Space is a practiced place”. There’s a distancing between the idea of geometrical places as well as spaces created through anthropology. This reminds me of

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[Reading Response: Pamela Wojcik]

This article concentrates on an analysis of the apartment plot, with its brief insights on the relation of the space and film being highly profound. A place as an apartment serves the function of social space since space can shape one’s “experience, worldview and opportunity”. In this article, the apartment plot regarded as a specific genre goes beyond the conventional rule of being a background setting. However, it motivates actions and practices – “works in terms of encounter and porousness or produces a philosophy of urbanism by imaging the urban itself”. Not only it brings the permeability that satisfies voyeurism

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