In Chapter Four of Spatial Stories written by Michel de Certeau, he identifies the differences and connections between the concepts of “places” and “spaces”, the distinction between “maps” and “tours”, and he describes the process of marking out boundaries. From my perspective, a place in the writer’s article is a physical location in which things are ordered by a certain rule. It turns in to spaces when travelers or walkers give special meaning to this place. To be more exact, when people are acting in a certain place, the place could be called “anthropological spaces”. As for “maps” and “tours”,

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This reading highlighted the cycle of the “apartment plot” appearing in numerous films, televisions or fiction since the rise of urbanism and modernism. It is interesting how the apartment plot is effective in reflecting the qualities of urban domesticity, for example its porousness, privacy, simultaneity and encounter. Meanwhile, different genres of film could interpret such quality in extremes: porousness could be the ideal quality of apartment for romance, while the least ideal in horror. Besides, the apartment plot is also versatile in implementing narratives and messages of cultural, social or political context that we as audience might subtly digest from

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Michel de Certeau shows us the relationship between place and space, defining how they are different from each other. “Places” have physical meaning, like different locations, being fixed points on a map, whereas “spaces”, according to de Certeau are ‘practiced places’, being defined by their function and users’ perception of the places. In other words,when one single ‘place’ is used in 2 different ways by 2 different users, who have different perceptions of the place, two distinct spaces are formed. Hence, compared with the physical and objective ‘place’, ‘space’ has a more subjective meaning. Regarding ‘stories’, a single place can hold

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The interaction between film and architecture is a way to display the relationship between city and home, public and private lives. Architecture is a key perspective to understand films. According to Wojcik (2018), the apartment is more than a setting but stimulates or shapes the narrative in some way. Apartment plots are narratives. It gives information about race, class, sexuality, nation, religion, capital and so on about elements of the film. And all these help to interpret the events, to define the characters for the audience. Architecture—the apartment, is shaped with urban subjects like sophistication, contact, porousness, and encounter in.

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The concept of how “spaces” are distinct from “places” are defined by Michel de Certeau. “Places” are more like different points and locations on a map, such as the coffee shop on street X, the commercial building on street Y, the big highway linking city A to city B, in which these are all stable destinations, they just stay there. On the other hand, “spaces” is suggested to be a practiced place, like how it is described in the book that the “walkers (people walking on the routes in the city)” define what the space is. Furthermore, the route that

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