Category: Lecture 2: Filming the Modern Asian City

Cat Links Lecture 2: Filming the Modern Asian City

Reading Response: Ackbar Abbas

Posted on Laurence

Perhaps one of the most striking parallels between architecture and film is that they both reconstruct a hallucination of the bygone things. The illusory memories, like the metaphor in the architectural forms of Flagstaff House or Pei’s Bank of China Tower, are repeatedly reproduced after the real history has vanished and ironically becomes part of Hong Kong’s identity. Over twenty years ago, Abbas wrote about the disappearance of Hong Kong, or its false images through relentless urban renewal and chaotic architectural styles. Two decades on, it seems that the continuously intensifying marketization, the architectural anonymity, and even the anxiety of

Continue readingReading Response: Ackbar Abbas

Cat Links Lecture 2: Filming the Modern Asian City

Reading Response: Ackbar Abbas

Posted on u3586421@connect.hku.hk

This reading have raises the thoughts of the bonding of disappearance and the architecture. In Hong Kong, a place that nostalgic with the skyscrapers with a view to provide the accommodation to a high density population. Moreover,  the city is a mixture of architecture from the western post-colonialism and the traditional Chinese style which makes Hong Kong become Muti-culture city. Yet, Ackbar Abbas mentions that some of the architecture more likely a decorative rather than a historical and sophisticated building. As day goes by, Hong Kong lost its own colour and it is hard to distinguish the building that is visualise in the

Continue readingReading Response: Ackbar Abbas

Cat Links Lecture 2: Filming the Modern Asian City

Reading Response: Ackbar Abbas

Posted on djr2002@connect.hku.hk

This article with the theme of disappearance mentions a very interesting opinion, that is, cities are divided into three types: real, surreal, and simulated according to the degree of relevance to their historical context. Interestingly, with different perspectives, Hong Kong will present the characteristics of all these three different urban forms at the same time. This stemmed from the long-standing conflict and interaction between Chinese culture and western colonialism in Hong Kong, resulting in floating identity recognition. Such confusion of cultural identity has led to the absence of architecture in reflecting urban culture, as a result, Hong Kong’s historical buildings,

Continue readingReading Response: Ackbar Abbas

Cat Links 2022 Blog, Lecture 2: Filming the Modern Asian City

Reading Response: Ackbar Abbas

Posted on kristyth@connect.hku.hk

A disappearance of a building does not necessarily mean it was being demolished, which may be because it lost its historical significance or is out of place in the environment. In a commercial society like Hong Kong, businesspeople are always anxious to maximize the benefit of all things and use the commercial point to calculate everything, including architecture. Like the clock tower in front of Hong Kong Culture Center, the value of these historical sites merely remains decorative. Similar with the consequence of the clock tower and Repulse Bay Hotel, many preservations of the historical sites become gimmicks of the

Continue readingReading Response: Ackbar Abbas

Cat Links 2022 Blog, Lecture 2: Filming the Modern Asian City

[READING RESPONSE] Ackbar Abbas

Posted on fl2003@connect.hku.hk

Abbas mentioned that some colonial culture in Hong Kong is slowly disappearing and the city is gradually becoming ordinary. I actually do not agree with this view. I think both Hong Kong itself and Hong Kong architecture are the result of cultural collision and impact. Architecturally, modern skyscrapers can coexist with temples and old tube-shaped apartments. No matter how the appearance of the city changes, the essence of the city is still human. Due to the colonial history, there are still a large number of foreigners in Hong Kong. It is the special population composition that causes cultural conflicts and

Continue reading[READING RESPONSE] Ackbar Abbas

Cat Links Lecture 2: Filming the Modern Asian City

Reading Response: Ackbar Abbas

Posted on u3582402@connect.hku.hk

The article mainly talks about the disappearances in Hong Kong. The most obvious disappearance is the architecture which is regarded as a commodity. These buildings can be easily ruined due to economic reasons. In some cases such as the clock tower and the Hong Kong culture centre, although the government kept the original building it is so weird to connect colonial architecture with the modern cultural centre with continuity. It is only used for visual consumption and we ignore the meaning behind these buildings. Other examples like the Flagstaff House and the Repulse Bay Hotel have a similar problem that

Continue readingReading Response: Ackbar Abbas

Cat Links Lecture 2: Filming the Modern Asian City

Reading Response: Ackbar Abbas

Posted on longkhan@connect.hku.hk

This part talks about the spirit of Hong Kong buildings. As an international metropolis in China, Hong Kong combines Chinese culture and western features with its own local culture. Many newly built buildings show the most cutting-edge design, but they abandoned the unique features of Hong Kong. The author is also concerned that Hong Kong may lose its unique feature after returning. This book was written in 1997 when Hong Kong returned. The author is a former professor at HKU. Hong Kong was one of the most developed cities, while China was getting more and more influential worldwide. Hence, how

Continue readingReading Response: Ackbar Abbas

Cat Links Lecture 2: Filming the Modern Asian City

Reading Response: Ackbar Abbas

Posted on u3594195@connect.hku.hk

Abbas’s reading put out an interesting idea that we should be selective when persevering cultural architecture and think more about the cultural aspects of architecture. In the article, the author mentioned that in Hong Kong nowadays treat buildings as commodity and just let the market mechanism affect architecture. And as a result, those building that get well preserved or get the most exposure might not sufficiently represent Hong Kong culture. For instance, the Junk in Vitoria Harbor might often be seen in many movies and these famous architectures appear in the movie might be the first cultural impression of Hong

Continue readingReading Response: Ackbar Abbas

Cat Links 2022 Blog, Lecture 2: Filming the Modern Asian City

[READING RESPONSE] Ackbar Abbas

Posted on Julia

Abbas wrote, ‘preservation is selective and tends to exclude the dirt and pain’. When a tourist recognises Hong Kong as a new city, they will visit Central instead of the hyperdensity in Sham Shui Po. The architectures that represent Hong Kong in the tourist’s eye are the Bank of China Tower, the Hong Kong Shanghai Bank, etc. However, these commercial buildings and so-called landmarks of Hong Kong can be put anywhere in the world. And what is hidden behind these flourishing pieces of stuff is the pain. For example, Kowloon Walled City was decided to be razed by the government

Continue reading[READING RESPONSE] Ackbar Abbas

Cat Links 2022 Blog, Lecture 2: Filming the Modern Asian City

Reading Response: Ackbar Abbas

Posted on u3584239@connect.hku.hk

The author explains the act of preserving Hong Kong’s cultural identity and building on it through architecture in this reading. The idea of the disappearance of cultural identity is brought up throughout the article. An example includes the Flagship house, both pieces of Hong Kong history from its colonial days, having its identity stripped away in order to be more appealing to the modern citizen. I find it interesting that the author himself has also been critical of the idea of preserving cultural identity through architecture, Kowloon Walled city as an example, people may be blinded by the act of

Continue readingReading Response: Ackbar Abbas