Reading Response: Roland Barthes

Watching films in the cinema brings the audience into a “hypnotic” environment that creates an immersive experience. The darkness of the cinema serves to accentuate the film which is the only light in the cinema. As the audience constitutes the most essential part of the show, their reactions, emotions, and imagination are triggered and led by the atmosphere. The contrast of darkness and the light, therefore, makes people able to immerse themselves into the scene, witnessing, speculating, and following the development of plots. While the use of supplementary instruments of representation as described as “Lure”, ranging from the fascinating sound

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[Reading Response: Roland Barthes]

In Leaving the Movie Theater, Barthes said that darkness, a large screen, speakers, seating, and quiet audiences are all components needed to make up the space of a cinema. Barthes repeatedly emphasized the role of darkness and the fact that film is a single but varied source of light. These are things that I didn’t pay attention to when I went to the theater. Through reading this article, I realized that this is the charm of space design. “I must be in the story, but I must also be elsewhere.” can also be read in reverse: Must be elsewhere to

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[Reading Response: Roland Barthes]

Roland Barthes’ article Leaving the Movie Theatre, his theory of simultaneously ‘two bodies’ related to the image and surroundings in cinema fascinates me. His use of language to depict the process of cinematographic hypnosis and contemplative immersion is intriguing—the narcissistic body to gaze and get lost into the self-reflecting mirror and the perverse body to fetishise sound and light. This assertion is true as my experience of watching Babylon in cinema, the film exaggeratedly present rise, fall and ‘craziness’ of dreamers in the old days in Hollywood, for which every spectator is enabled to memorise and see the shadows of

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[Reading Response: Roland Barthes and Walter Benjamin]

Barthes shares his experience of the cinema as a journey. A journey which he is “lured” into and has to “take off” from. The darkness of the hall, the path that leads the audience to their comfortable seats, the bright beam of the screen that captures one fully… It is as if the act of going to the cinema is a fully drafted scene itself.  Barthes compares it to the process of being hypnotized, where one indulges in the ambience and the “urban dark”. This leads me to ponder whether the journey of the cinema produces the same experience for

Continue reading[Reading Response: Roland Barthes and Walter Benjamin]

Reading Response: Roland Barthes

The article “Leaving the Cinema” discusses the elements of a theater that help viewers get fully immersed in a film, including the sound, camera light, darkness, seats, movie screen, and distance from the screen. Darkness plays the most significant role in why viewers are drawn to a film completely. On the contrary, when watching a movie at home, bright lighting, walking people, dinner tables, and other furniture constantly serve as a reminder that we are in a domestic setting rather than at the cinema. These frequently distract us from the movie’s plot. But when it’s dark, we often find ourselves

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Reading Response: Roland Barthes

In the reading ‘Leaving the Movie Theater,’ the author describes how can unique spatial aspects of movie theatres help the audience immerse into the movie world.Things in cinema are all carefully designed to create a cinematic experience that cannot be replicated at home by watching Netflix or Disney+ on TV. The large curved screens, cozy seats, complete darkness, and surround sound effects… to name but a few.   For me, the cinema is a perfect place to watch sci-fi and action movies, as the immersive environment allows me to fully enjoy the film. Recently, I watched the sci-fi movie ‘Avatar:

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Reading Response: Roland Barthes

After reading “Leaving the movie theater”, I am fascinated by Barthes’ attempt to demystify the science behind the vehement emotions resulting from the cinematic experience. Barthes is presenting spectatorship in movie theaters in a rather unconventional light while emphasizing darkness and space. “Darkness”, in the literal sense, symbolizes “twilight reverie” which leads to cinematographic hypnosis and the loss of worldliness. Moreover, the congregation of human bodies and “the erotic possibilities allowed by the crepuscular anonymity of the cinema as a space” constitutes modern eroticism which is another sense of escape from reality. Thus, cinema almost has an ideological existence that

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[Reading Response: Walter Benjamin]

[Reading Response: Walter Benjamin] The work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media express the relationship between technology and art piece. The writer thinks that traditional art piece contains some major concept, including creativity and special value, which is different from those made by technology. The writer claimed that technological reproduction is different than we thought, it has some advantages, such as a longer preservation length. On the other hand, the authenticity of art will not be affected by technology, and it maybe devalued. The use of technology will minimize the usage of

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Reading Response: Roland Barthes and Walter Benjamin

Despite Roland Barthes’ essay being written in 1968, it proves itself to be a timeless piece with relevance to this day. The act of being in the theater being hypnotic, almost a world of its own, an escape from reality are feelings I have also felt after watching a film. Cinemas nowadays are made with large curved screens that take up your entire field of view, comfortable seats you can sink into, and complete darkness when the film begins. Even with the rise of online movie sites like Netflix, Hulu, and HBO, I believe with advancing technology such as 3D

Continue readingReading Response: Roland Barthes and Walter Benjamin

Reading Response: Roland Barthes

The article “Leaving the Movie Theatre” describes the features of a theatre that make people immerse themselves in a film, such as the dark environment, the light coming from the camera, the distance between people and the screen, and the sound. In my opinion, darkness is a big part of what gets people hooked on a film. Compared to watching a movie in the living room at home, the bright light, coffee table, TV cabinet, and other architectural elements of the home always remind us that we are moving around the home space. These often prevent us from concentrating on

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