- It’s a panned view of the empty tram before I get on it.
2) It’s vertical shift angle when I go upstairs and nobody there.
3. I used forward track angle to show the emptiness of the tram space.
4. Framing by the tram window, to show emptiness of the street from tram interior.
I capture the dynamic view of a tram in rush hours, the street and tram seems much less people.
The third video is used forward track angle to move the shot while the tram was steady. When the cmaera is moving forward, it captures most of the seat at the upper deck is empty during rush hours. This angle could also guide the audience from the far end, follow the shot to move forward. From the angle, it could show how less people are taking tram in rush hours, and show the emptimess of the space and society.
Murphy Lok Kan Wong
3035400015
Clear representation of the tram as the subject of study here and a good attempt to try out different techniques for the video. For video 3, consider framing the view more frontally. You can try winding down the window to avoid capturing your own reflection. To a large extent, an empty tram at the depot at night is not an occurrence only during the pandemic (this is often the case even before the pandemic). Consider how the pandemic could be highlighted. Besides experimenting with unexpected points of view and camera techniques, what else can you introduce to the video that can foreground this? How about the contents in and/or around the tram? What are the visual clues that your viewer can pick up (even without you revealing it)?