I have always been aware of the expressive power of films, with their 24 frames per second, in visually conveying emotions, ideas, and exploring various topics and issues through narratives, characters, and other cinematic elements. However, it wasn’t until I finished reading this article that I truly realized the potential for using the element of ghosts in films to represent and reflect upon social issues addressed by directors.
The article’s insightful discussion revolves around three distinct social issues depicted in films set in different cities or regions, each with its unique historical and economic background. In particular, I want to focus on the reflection of the issues discussed in the context of Hong Kong. The description of Hong Kong serving as a backdrop for these ghost narratives offers a fascinating lens into the city’s socio-economic realities. The contrast between Hong Kong’s economic success and financial prosperity and the portrayal of a darker side, characterized by sweatshops, urban pollution, and poverty-stricken living conditions, provokes contemplation. It sheds light on the disparities within society and the struggles faced by marginalized and forgotten individuals.
The symbolism of housing estates and cramped living spaces as haunted locations reflects the challenges of limited space and the consequences of rapid urbanization. The term “coffin homes” used to describe these tiny cubicles serves as a poignant reminder of the plight of those trapped in extreme poverty. It evokes the stark disparities and inequalities that persist in many societies, where some individuals endure oppressive living conditions while others revel in affluence and privilege.
HE Ziyi
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