This article provides an intriguing look at how catastrophes are portrayed in popular culture from that era in Japan. Tsutsui provides insightful analysis of the ways in which these representations mirror society worries and wants, shedding light on the relationship between architecture, film, and cultural narratives.
Tsutsui’s broad perspective improves our understanding of how cinema and design serve as mediums for collectively conceiving alternate urban possibilities and processing trauma. The author’s in-depth analysis of well-known movies and how they present destruction as a kind of entertainment is thought-provoking and sheds light on the complex relationship between natural catastrophes, urban landscapes, and popular culture.
More varied viewpoints should be included, broadening the scope of the study to encompass cultural materials other than movies could enhance the conversation. Examples from literature, art, or other media might be included to give a more comprehensive understanding of how catastrophes are portrayed and understood in Japanese culture. By incorporating insights from researcher like Richie (2005) who have examined the complex relationship between many artistic media and how society views catastrophes, highlighting the diverse representation of Japanese culture outside of the film industry.
Overall, Tsutsui’s article provides an engaging examination of the cultural relevance of disaster tales in postwar Japan.
Liu Tianzhuoyue 3036268256