The title of this article shows up to suggest Japan’s current circumstance. Utilizing a grave and wild eyed tone, the maker passes on how the country is encountering a crisis as its city has been destroyed by a mental aggressor ambush. As the visual culture, the animal film can totally reflect Japan’s traumatic history, particularly the two atomic bombings of Hiroshima and Nagasaki. In these motion pictures, the animals start off with less puzzling focuses of intrigued but gotten to be more characterized as the plot spreads out. The term “secure horror” is utilized to depict how the gathering of individuals is able to come across a certain level of frightfulness though watching these motion pictures, but in the long run the frightfulness is brought underneath control and pulverized. These movement pictures can as well serve as a source of reassurance for Japanese individuals, appearing that inside the event of an attack, their country has the capacity to bring the circumstance underneath control. Hong Kong building in addition has various characteristics. Hong Kong building remains the British fashion and Chinese mold, so we’ll see parts of arranged buildings in Hong Kong. Hong Kong in addition a put of tall spatial (lodging) thickness, causing tall rises (tall buildings) and recuperation districts to be customary in Hong Kong.
Muhammad Ghassan Jawwad 3035834802
Nice summary on the two texts. Your analysis of the historical context of Japan and its connection with the mosnter genre is well explained, and I appreciate your mentioning of “secure horror” as a feature to contain the nation’s anxieties. You also pointed out the dual influences of Hong Kong;s architectural identity based on its history and some features of Hong Kong. Some examples will help illustrate your point more concretely.