In this essay, it mentions that technology gives rise to the Asian countries and strengths their recognition of ethnicity and identity, but it is yet to transcend and “wipe out” the importance of ethnicity. In the story of Ghost in the Shell, the post-industrial cyberpunk-alike locale is appeared to be highly resembling Hong Kong with all those neon light, bamboo scaffolding and high rises, representing the advancement in technology of the Asian region. Such small features and tangible structure manifested in the film are categorised as the IE (Iconographic Ethnicity) in the essay. Indeed, with such heavy use of IE, Ghost in the Shell is the perfect example representing the unique and indispensable colonial culture of Hong Kong, like bamboo scaffolding. Along with a unique context of history affecting the form and development of technology in the city, technology has been intertwined with the representation of ethnicity ever since the industrial and economic boom, and will continue to represent the culture of different ethnicities, not only Hong Kong’s.
Clear summary. What do you think of Rosa’s narrative on modern houses? Do you agree that they are still used as homes of villains in films nowadays? It would be great if you could provide some of your thoughts other than summarizing the piece.