The author discovered how the development of modern Chinese cinema was closely related to the urban setting and the influence of Hollywood films on local filmmakers and directors. Some interesting ideas that I found include the close relationship between movies and movie magazines, which echoed traditional Chinese aesthetics and aimed at facilitating the shaping of the central concept of the film as well as the characteristics of the film characters.
The article also inspired my thinking about how cinema has served as an everyday urban space. Throughout history, Chinese cinema has undergone numerous innovations, ranging from open and noisy teahouses to enclosed and quiet cinemas. But its essential function of entertainment remains unchanged even though its target audience in modern society might be different from that in the early 20th century. Whether it’s a family, a couple, or friends, the cinema is a place that provides a comfortable environment to rest and spend time together, getting closer to each other during the movie-screening process and running away from the urban annoyance.
You have shown good understanding of Lee’s text and the context of early Chinese cinema. I appreciate your personal reflections on the function of a movie theatre as an intimate space. Some commentary on the Western influence and hybridity of Chinese cinema will provide a more holistic response.