The text “Cuts through Hong Kong,”  written by Eunice Seng, explores the theme of change and the inevitability of the transient cityscape of Hong Kong in the 1960s and discusses how the ever-changing landscape can be preserved through film, using insights from Wong Kar-Wai’s film “In the Mood for Love.” The setting of the film was shot at a time when Hong Kong was undergoing major redevelopment, which would entail the removal and disappearance of what makes a space a place. Seng takes the example from the movie “In the Mood of Love” by Wong Kar-Wai, where movie scenes were

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