[FIELDWORK] GOD OF GAMBLERS, LUCKY PLAZA

GOD OF GAMBLERS, DIR. WONG JING (1989)            Lucky Plaza, Sha Tin, Hong Kong   God of Gamblers, directed by Mr. Wong, is a famous gambling film in Hong Kong film history. It tells the story of a famous worldwide gambler called Ko Chun who accidentally lost his memory by little knife’s mischief coincidently. During the period of losing memory, he got the nickname chocolate and earn money by his brilliant gambling skill. At the movie’s end, He eventually recovered his memory and won the five-cards game with Chan Kam-sing, the “Demon of Gamblers.” The total box

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[FIELD REPORT] LOVE IN A PUFF, BACK ALLEY OF PACIFIC PLACE

LOVE IN A PUFF, DIR. Pang Ho-cheung (2010)            Back Alley of Pacific Place, Admiralty, Hong Kong   Jimmy (Shawn Yue) and Cherie (Miriam Yeung) smoke romantically in the back alley of Pacific Place. Scene from Love in A Puff, 2010, directed by Pang Ho-cheung. Pang Ho-cheung had portrayed the contemporary social phenomenon by applying the style of romantic comedy, Love in A Puff was filmed mainly in the back alleys near the workplaces, picturing how the Hong Kong employees smoke after the implementation of the indoor smoking ban in 2007. Consisting a range of professions, from

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[FIELDWORK] HEAVEN ETERNAL, EARTH EVERLASTING. RUISHI FOUR-EYED WELL.

HEAVEN ETERNAL, EARTH EVERLASTING, DIR. FANGFANG LI(2009)            Ruishi Four-eyed Well, Xihu District, Hangzhou, Zhejiang Province. The gun is sinking in the Ruishi four-eyed well. Scenes from Heaven Eternal, Earth Everlasting 2009, directed by Fangfang Li. The movie is directed by Fangfang Li, who is good at using the lens language telling us the stories that happened on the two main characters, Xingchen and Mingyuan, in the background of the 80s. Many scenes are like pieces of art filled with the unique atmosphere of Hangzhou. The whole movie uses gloomy filters, so the frames are always

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[FIELDWORK] RAISR THE RED LANTERN

RAISE THE RED LANTERN, DIR. ZHANG YIMOU (1991)            Qiao Family Courtyard, Shanxi Province, China                            de Left: The Qiao Family Courtyard  in real life. Picture from the search engine ‘Baidu’. Right: The Qiao Family Courtyard in the movie. Scenes from ‘Raise The Red Lantern’ 1991, directed by Zhang Yimou. Zhang Yimou released Raise The Red Lantern in December 1991. Set in 1920s China, the film used entrenched social and gender to fuel a gorgeously filmed collision between expectations and reality, dreams and despair. The young and beautiful

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[FIELDWORK] Cold Eyes, Cheonggyecheon

Cold Eyes was originally a Hong Kong film. It was redirected by Jo Ui-Seok and Kim Byeong-Seo and released in 2013. The film is about a police surveillance team who identified, monitored, and chased an armed robbery group and a leader named James. Most of the scenes were shot in the city center of Seoul. According to director Kim, he tried to differentiate Seoul from Hong Kong, where the city is highly dense. Amongst many places in the film, I selected Cheonggyecheon since it is a crucial place in a film. After the robbery group failed to rob Korea Stock

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[FIELDWORK] ECHOES OF THE RAINBOW, WING LEE STREET

ECHOES OF THE RAINBOW, DIR. Alex Law(2010)         Wing Lee Street, Sheung Wan, Hong Kong Echoes of the Rainbow1 is a semi-autobiographical film directed by Alex Law, released in 2010. It looks back at grass-roots life in the 1960s. The story focuses on a family’s hopes and struggles during a rough time in Hong Kong’s history, capturing a past city lifestyle in the working-class area of Shamshuipo. By blending the shots of a real location, lens language, and usage of warm-tone filter, Wing Lee Street has turned into an urban and cultural background of the society demonstrated in

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[FIELDWORK] RAISE THE RED LANTERN, QIAO FAMILY COURTYARD

RAISE THE RED LANTERN, DIR. ZHANG YIMOU (1991) Qiao Family Courtyard, Jinzhong, Shanxi The movie I chose is Raise the Red Lantern directed by Zhang Yimou, which was thoroughly filming in the famous Courtyard of Qiao’s family. The movie revolves around the topic of feudal ethics where the story begins from the female college student Song Lian who was forced to marry the master of a big family by her greedy mother, the story tells about the conflicts between the concubines and a series of tragedies in a large family during the Republic of China era. The overall performance of the

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[FIELDWORK] THE WAY WE ARE, Tin Shui Wai

The Way We Are, DIR. Ann Hui On-Wah (2008) Tin Shui Wai, Yuen Long District, Hong Kong <The Way We Are> 2008 is a film directed by Ann Hui that describes people’s daily lives at the bottom of Hong Kong society. Tin Shui Wai is located in northwest Yuen Long, West New Territories, Hong Kong, which is twenty-five kilometers from the central district, considered a poor area in the metropolis. The media even described the place as a tragic place because of the bad news that happened there at the time. Unlike many thrilling commercial films full of twists and turns,

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[Field Report] Chungking Express, ChungKing Mansion

Chungking Express, Tsim Sha Tsui, Hong Kong Wong Kar Wai (1994) Chungking Express, one of the most astonishing movies produce by a world-renown director Wong Kar Wai. The movie has two storylines that bonded with the same place — Chung King mansion and ‘Chungking’ the former words of the movie’s name are extracted by this place. Chungking mansion is a huge cube shape building located at 36–44 Nathan Road in Tsim Sha Tsui. The endearing narrative of two forlorn and self-wallowing police on the bad side of a break-up is told in two sections in Chungking Express. These two consecutive

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[FIELDWORK] YOUNG AND DANGEROUS, WANCHAI

[FIELDWORK] YOUNG AND DANGEROUS, WANCHAI, DIR. ANDREW LAU (1996)            Causeway Bay, Wan Chai District, Hong Kong Young and Dangerous directed by Andrew Lau was released in 1996, narrating young triad members’ adventures and fights in 90s Hong Kong. The popular crime film was mostly based in alleys and streets of Wan Chai and Causeway Bay in which entertainment industries like nightclubs, bars and mahjong centres flourished, hence triad societies dominating the place. The film captures the the nightlife of the district through the overwhelming use of neon signs and crowdedness. Hundreds and thousands of advertising

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