[READING RESPONSE] NOIRS: The City, the Woman and Other Spaces by Seng E

I’m really struck by the article “Noirs.” Women have appeared as protagonists in Hong Kong films since the 1960s due to the changing societal landscape, increased female workforce participation, and the desire to provide a unique perspective. It appealed to the growing female audience and explored gender dynamics and social inequalities. Hong Kong’s noir films of the mid-1950s and mid-1960s focused on the upper and working classes to reflect the city’s transformation into a modern metropolis and the social realities of its inhabitants. These films depicted the stark contrasts and social inequalities within the urban landscape, with upper-class characters portraying

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Reading Response:Leung P.-K

As a multicultural city, Hong Kong’s film industry has evolved together with the city. Firstly, let me talk about what I have gained from my six months in Hong Kong. The city seems to be both traditional and innovative, which may seem contradictory, as the article states, people in this city hold both traditions and superstitions of their older generations. The westernized decorations and festive atmosphere I have seen demonstrate the inclusiveness of Hong Kong culture. Secondly, I agree with the article that TVB directors refuse to accept their government-designed identities and express the need for social change from the

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