Seng’s ‘Cuts Through Hong Kong’ fully situates In the Mood for Love in its historical context, revealing it as an embodiment for the conflicting and transient identities of Hong Kong’s migrants in the 1960s. This is achieved through an insightful and coherent analysis of the film’s story, built environment and cinematic style. The film’s story revolves around the intimate and ambiguous relationship between two Shanghai immigrants – Chow Mo-wan and Su Li-zhen, neighbours in the same apartment complex. Though both were married, their partners never appeared in the scene. A prevailing sense of absence is felt through Chow and Su’s

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