[Reading Response] The Work Of Art In The Age Of Its Technological Reproducibility, And Other Writings On Media

In the reading, Walter Benjamin presents the idea that technology, especially those related to reproducing and distributing art and media, has the ability to fundamentally alter the nature of art. Architecture is one of the most static and immovable forms of art, while it was not a subject of scrutiny in the reading, it can be a though provoking matter to be analysed using Benjamin’s ideas. I found an intriguing dichotomy between architecture (static, costly and permanent) and film (dynamic, easily distributable and transient), which can perfectly capture the transformative effect of media technology on art. A brief detour into

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Reading response 1 – Leaving the Movie Theatre by Robert Barthes

In Ronald Barthes’s Leaving the Movie Theatre, he argues that the hypnosis in a holistic movie theatre experience is achieved through the synergy between the twilight repertoire and the image repertoire. Whereby the spectator possesses the narcissistic tendency to simultaneously identify with the spectacle whilst admiring it, and the anonymity of the dark environment allows the perverse body to indulge in the freedom of modern erotisim. While this may be true, the impact of hypnosis is not guaranteed across all types of films such that the gendered use of film semiotics can significantly affect voyeurism and narcissism (Mulvey, 1975). For

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