[Reading Response: William M. Tsutsui]

Before reading this, I regarded Japanese apocalyptic movie as merely gimmicky, “pathetic claptrap”. Yet now I am mesmerized by the myriad interpretations. Perhaps, for the past seventy years, that mushroom cloud has touched every Japanese’ hearts in unique and contradictory ways.   Japan was traumatized by two nuclear annihilations. Why, as suggested in the reading, Japanese at times felt nostalgic to the wartime devastation? “Once the new city is built, it will lose the strange vigor of the wasteland. The loss of a city creates a void. A void in which people move with a strange animation.” To some, apocalyptic

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[Reading Response: Darrell William Davis ]

This passage mainly demonstrates the phenomenon that annihilation fantasy shifting from New York to Tokyo.  In this reading response, I will discuss why the annihilation fantasy is so popular, and fictional apocalypses began to visit Japan frequently. The destruction fantasy can fulfill people’s spiritual world.  I entirely agree with the statement of Sontag in the passage. In summary, people usually fear two extremely opposite things: unremitting banality and inconceivable terror. However, annihilation fantasy movies, as a common way of fantasy in people’s daily lives, distract people from the tedious life and attract them to think more about unknown events.  Unlike

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Reading Response: Joseph Rosa

The architecture in a given scene of a movie can illustrate the household or users’ power status, family status or characteristics more than any words or descriptions. The architecture of buildings has a great influence on people, in the other way people also have a great influence on the architecture of the building. In many movies or TV series, without the access of any further information. We can easily distinguish between the protagonist, the antagonist, and also their personalities . For instance, in the movie Joker, Joker’s home is located in a compacted urban area, inside it usually has a

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[READING RESPONSE] Joseph Rosa

One of the points that impressed me the most in the article is how the architecture in the movie shows the social situation. For example, in the 1930s and 1940s, the United States faced a severe Great Depression, many people faced unemployment and bankruptcy due to the economic depression, which made it difficult for them to gain a sense of security in modern cities. Therefore, movies of that era (such as “The Enchanted Cottage”) can often separate people from modern cities, combine traditional happiness with traditional architecture, so it can reflect the problems brought about by fast economic development and

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Reading Response: Joseph Rosa

This article talks about the connection between modern architecture and cinema. Like movies, architectural space constructs detailed motion images, dynamic trajectories of living space and life narrative. As the meaning of modern architecture, it is inseparable from the lives of modern people. At the same time, movies come from life. Through modern architecture, movies can better narrate some more realistic and sharp topics about power, status, crime and so on. While some traditional buildings will appear in the movie, which can make people more immersive, let people watch some more empathetic experiences or events, and more in line with real

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[Reading Response: Joseph Rosa AND Pamela Robertson Wojcik]

In the first article, the article discusses the concerns caused by modernity in the United States about the modernity embodied in modern buildings, apartments. The villains in the film began to live in modern buildings, reflecting the American resistance to traditionalism and modernity. And in the second article, the article discusses the apartment plot in detail, illustrating the development of the apartment plot. At the same time, it proposes that, for the apartment narrative, in different time backgrounds and spatial backgrounds (different countries, regions, communities), its influence on the narrative is completely different. For example, in the United States, the

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[READING RESPONSE] Joseph Rosa

The article mainly discusses the relationship between modern domestic architecture and film, that how modern architecture implies different characters’ personalities and actions. In the 20th century, there’s an interesting phenomenon that modernist buildings are usually connected to danger, transgression, or even crime. In contrast, the conventional accommodations usually represent traditional love and happiness. For example, in James Bond series, most criminals site their accommodations in remote, modern hide-aways. This stereotype has provided the audience an inertial way of thinking to connect modern buildings with evil plans and encouraged filmmakers to focus more on modern architecture design in films. — Li

Continue reading[READING RESPONSE] Joseph Rosa

Reading Response: Joseph Rosa

Rosa discussed the relationship between film and modern domestic architecture from the article. It is a common thought that modern architecture is always related to negative characters. Maybe that’s because Americans never fully accept the modern house as their home, but rather as a workplace. The apartment-dweller are usually young and naive, while the penthouse is generally for single wealthy people who only care about social status. However, when the rich fall in love and get married, it is a typical development that they reallocate to a traditional house. However, traditional architecture is often associated with happiness in film. In

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Reading response: Joseph Rosa

In most movies that contains architecture and family definitions as a representation of character identities during the period 1930s-1990s all conducted traditional structure as warm, normal and satisfied, which shown in traditional family structure and positive character. On the other hand, the new structures, especially the apartments conduct the character as abnormal and negative, including the LGBT group, the weirdos and single elder generations. Also, during the period of wars and turmoil, the breaking of the new architecture can be witnessed int eh movies like the series of James Bond. After this period, the diversity and uncertainty are shown in

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[Reading Response: Joseph Rosa]

From this article by Rosa, the relationship between modern domestic architecture and movies has been discussed. Upon this understanding, we could further think about the interactions in between film and architecture industries. Film makers certainly take lots of inspirations from the architects. An example that has been shown in this article is the influence of the famous modern architect John Lautner on Hollywood productions in the late 18th century. Lautner’s 1960’s creation, the Chemosphere, is a UFO like structure with circular ceiling, perimeter glass walls and middle concrete supports. The building looks fantastically futuristic on the hill side and was

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