The reading discusses the modern machine city and cybercities. Personally, I like the modern machine city more than cybercities. Although our real world now is not a modern machine city, which is merely our imagination (Boyer, 1992), I believe that it will change to a modern machine city in the future. It is a dynamic city where all places, as the reading stated, the school, the prison, the factory and home, are controlled by machines with precise mathematics products and the creativity of engineers (Boyer, 1992). In cinematic expression, modern machine city is effective and efficient. The standardized operation of

Continue reading[Reading Response 2] The imaginary real world of CyberCities

My final project’s theme is about the old places and recreational area in Hong Kong. There are some trees are flowers to represent the importance of plants in city. The colour tone of these images are relatively dark. This represent the mood that these kinds of area are fading out. 3036231253 Tse Pui Yi

Not only do we want a good house when we alive, but we also want to stay in a good place after we die. Although government need the piece of land where buried their ancestor before, they still pay huge effort to dig out their ancestor to provide them a new stable and peaceful place to live. This impress me a lot that a pleasant living place after died also improtant. 3036231253 Tse Pui Yi

This image shows a man lying on the floor and ignoring rain droping on his body. His body posture show his despair as he open his arm. The colour tone of the picture is dark and cool colour enhance the sadness. Tse Pui Yi 3036231253

I want to ask why you choose the place Cambodia, which is not the most famous place to shot movie, to shot the film and how this place give you the impression of dream land. And there are two kind of colour tone in the film which is light under the sun and dimmer light indoor, do you want to highlight one place is dreamland or both? Tse Pui Yi

Youtube Link: https://youtu.be/E40uyEzezdU?si=u4M1R02A8-s-Zk7P Transcript:   Tse= Tse Pui Yi Shirley 3036231253 Lai= Lai Wing Tung Oliver 3036231370   Lai: Good morning, Shirley.   Tse: Good morning, Oliver. Welcome to our podcast. Do you discover that many things are disappearing with time?   Lai: Umm…. What do you mean about disappearing?   Tse: Like the Dim Sum Trolley in tavern, the way of ordering food from waiters in restaurants, the Queen’s Pier and Mobile Softee.   Lai: Oh, I know what you mean. Many things we had already accustomed to its existence in the city have unconsciously disappeared from us. Shirley,

Continue reading[Fieldtrip Report] Tse Pui Yi Shirley & Lai Wing Tung Oliver

3036231253 Tse Pui Yi CCHU 9034 Reading Response 1 The film In the Mood of Love is an artwork shows the transition of Hong Kong at the past time. Having been a colony of Britain, Hong Kong’s buildings and streets had strong British style. Between 1962 and 1966, Hong Kong faced a rapid change of style of the streets and residential spaces. For example, Tsim Sha Tsui was redeveloped at that period, large shopping malls were replacing the old tenement buildings and outdoor markets. It became more modern. Personally, I like the mood, which is antient Hong Kong, of the

Continue readingReading Response: “Cuts Through Hong Kong” by Seng