Reading Response: Joseph Rosa & Pamela Robertson Wojcik

This response will focus on why Hong Kong is where most of the ghost films in China are produced. Firstly, Hong Kong had the background of the times to produce ghost films. Hong Kong was influenced by the political attitudes of the mainland, which led to the eagerness of the high class to flee Hong Kong, while the lower and middle classes lived in the midst of hardships suffering from a low level of living – living a life worse than a ghost. Second, the disparity between the rich and the poor at that time was extremely wide. Because there

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Reading Response: Katarzyna Ancuta

The article highlights the significance of ghosts as an element in apartment horror films and explores the potential social issues represented by these films. What attracts me the most is the similarity between the living and ghosts when face with loneliness and isolation. Ghosts are usually only seen by a specific group of people and can only move within a certain range or through several media, which is the loneliness of ghosts. In addition, due to city redevelopment and modern transition, humans are controlled by the pressure multidimensionally and are forced to experience loneliness. When the building structure is isolated

Continue readingReading Response: Katarzyna Ancuta

Reading Response: Katarzyna Ancuta

Name: Leung Cheuk Man, Anson UID:3036104620 There is an insightful article written by Katarzyna Ancuta in which she explores the cultural significance of Asian ghosts in relation to communal living and urbanization in her article, Communal After-Living: Asian Ghosts and the City. Throughout the book, the author effectively argues that Asian ghost stories reflect a culture that emphasizes the interconnectedness between the living and the dead, and that these ghost stories provide a means for us to connect with the past as well as with the communal afterlife and the world of the dead. The essay provides an interesting perspective

Continue readingReading Response: Katarzyna Ancuta

Reading Response: Katarzyna Ancuta

Katarzyna Ancuta’s article ‘Communal After-Living: Asian Ghosts and the City’ explores the significance of Asian ghosts in relation to communal living and urbanization by examining the cultural significance of Asian ghosts as they relate to communal living and urbanization in our world today. It is effective for the author to argue that Asian ghost stories are reflections of a culture that emphasizes the interconnection between the living and the dead, and can be used as a means of connecting with the past and to connect with the afterlife collectively, and this can serve as a means of connecting with the

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Reading Response: Esther M. K. Chueng

The author focused on analysing the formation of ghostliness in Chan’s movies based on the recent history of Hong Kong’s public housing. The ghostliness was utterly different from the horror movies. It was a sense of anxiety, loneliness and depression caused by the dense and messy residential housing environment for the lower and middle classes in Hong Kong. Chan revealed the significant inequality between privileged and underprivileged classes by focusing on presenting the public housing areas under the ghostly context. Beneath the significant transformation happening in Hong Kong at that time, both commercially and politically, we could discover the anxiety

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[Reading Response: Katarzyna Ancuta]

[Reading Response: Katarzyna Ancuta] Due to the rapid development of society, a large number of people migrate from rural areas into urban areas resulting in rapid urbanization. Movies about ghosts were made at that time for this reason. Cities redevelopment was based on the interest of global capital rather than people, so a lot of apartments were built, they were seen as a commodity for profit rather than a home. In Hong Kong, high-density rows of apartments, densely packed with small windows and a plethora of rooms have become a unique feature. They are rented to low and middle income

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[Reading Response: Ancuta, K]

The idea of  the use of ‘ghost’ image in films and culture realm is introduced and analysed by the article ‘Communal After-Living: Asian Ghosts and the City’ by Ancuta K. It is surprising to observe that common thought of ghost is often purely related to the feeling of horror and thriller is a plain idea contrasted to underlying meaningful identity of ghost applied in films story-telling. The birth of ghost comes from the material formation of the inner loneliness, fear, anxiety or other negative unstable emotions of the livings. For its use for films, it is a cultural product under

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[Reading Response: Ancuta, K. AND Cheung, E. M. K.]

When it comes to ghosts in movies, my stereotypes of them are often their appearance in horror genre or comedies, such as The Conjuring or The Ghostbusters. Little did I know that ghosts can indeed carry so many representations on them, and how specific they can relate to Hong Kong. The portrayal of the supernatural world not only work as an instrument of defamiliarization, but also served as a tool to render the sense of anxiety, uncertainty, lost, and loneliness. These atmospheres often reflect the people’s sentiments towards the social political situation during that era, namely the Handover and social

Continue reading[Reading Response: Ancuta, K. AND Cheung, E. M. K.]

Reading Response: Ancuta, K.

The article mainly talks about the identities of ghosts in films. Before, I thought ghosts were included in films just to scare audiences without any real meaning, but this article completely changed my mind. Ghosts can mean different things in different films and cultural realms. Firstly, they can be used to discuss the relationship between the living and the dead, which is most common in culturally Chinese territories, especially Hong Kong. Secondly, they can display the loneliness of humans as they share a lot of similar characteristics. Thirdly, they can represent the failure of an economy when a great number

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Reading Response: Ancuta and Cheung

Loneliness is a characteristic that almost all ghost films concentrate on. The film’s design through color, architecture and sound greatly enhances the horror of the ghost film. For example, in terms of color choices, both cold tones and bright, creepy colors can affect the atmosphere. There are also internal spaces, like public areas, private areas and semi-private areas, creating strong contrasts and allowing for unexpected occurrences that bring out the horror of the plot. I think one of the foundations of the ghost film is that it is actually built upon scenes and relationships that we are familiar with. These

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