I noticed that, instead of proper changes of angle and shooting scale, the camera rarely moves in each scene. What is the purpose of that? Shao Boning, 3036127373

I have a few questions for Director Chen and his movie the Dreamland. The main character is working for the estate and keeps on showing many different houses. Does each of the house chosen to explain and show have an architectural meaning? Why did you choose Cambodia as the background of this movie? I noticed that the filming techniques at many time seems like we’re peeking at the characters from behind the curtains or through the doors is there a reason for that? Dohyun Kim 3036192536

The white noise in the background of this movie appealed to me, including its lighting effects that made some of the images seem a little hazy. A lot of the frames have the sides blocked out leaving a small frame in the center, and there are a lot of frames that follow the characters moving parallel to each other, why were they shot this way?

I am not familiar with Cambodia film and i found out that there are many shots that are quiet, which is completely different for those movies I watched before. Is there a reason to do that?

There are lots of shots focused on the interiors of the house when she works as a real estate broker. What is the intention behind showing how the main character shows the customers different properties? Are those multiple-level red brick buildings very common in Cambodia? What is the typical housing structure over there?

There are a significant amount of scenes where blurred light bubbles were presented around the edges of the screen. The extensive use of light blurring and colour manipulation makes those scenes very special and facinating to me, is there any particular reason to adopt this kind of filming techniques?