What is your central artistic intention for implementing an ambiguous enunciation given that none of the characters seemingly leverages the autonomy to enunciate the narration of the storyline. (at least at the beginning) What message or messages do you intend to convey through this resultant verisimilitude?
What are your artistic intentions behind the employment of diegetic sounds rather than immersive soundscapes? What inspired you to incorporate a rather avant garde approach to this film?
Conventionally, close up shots are utilised to emanate a sense of intimacy and proximity, however close up shots are employed regularly throughout the film despite the absence of intimacy, what are the underlying reasons behind this stylistic technique?
1 thought on “Questions for Director Chen”
Steve Chen says:
We recorded with a lot of field sounds rather than building up new sounds. This is a more documentary process. We can capture the construction noise this way.
We recorded with a lot of field sounds rather than building up new sounds. This is a more documentary process. We can capture the construction noise this way.