The passage analyzed three types of Asian urban horror movies, which are associated with the social-culture contexts and economic background.
The first type is mainly produced in Hong Kong, Singapore and Taiwan, which has a complex relationship between the living and the dead, including ghosts fall in love with humans, revealing secrets, punish wrongdoers and so on. While the second type is about the loneliness and isolation of both ghosts and humans, mainly produced in Japan and South Korea. The reason behind it is the transformation and redevelopment towards neoliberal urban leads to the disconnection and isolation among people. The third type is unique in Bangkok. The collapse of the economy in Bangkok greatly stroke the migrant labors from rural areas. The betray and revenge happened in the movie, which is introduced in the passage, not only refers to the plots between two characters, but also refers to the decimation of many Thais’ dreams and promises of transforming Thailand into one of the Asian Tiger economies.
Inspired by the analysis of horror movies produced in Japan and South Korea, I remind that the most impressive type of horror movie made in Japan and South Korea to me is the one of folklore and mythology. In context of Japan, in my view, folklore and mythology play a prominent role in shaping the narrative landscape. Filmmakers derive inspirations from a wealth of traditional Japanese beliefs, legends, and supernatural entities to craft stories that blend ancient myths with modern horror sensibilities. Some characters like yūrei, yokai and onryō have their own features and lore. While Korean horror movies often explore themes of karma, fate, and the supernatural, as characters ‘grapple with the repercussions of past deeds’ and encounter otherworldly entities from Korean folklore. These films may be set in haunted houses, cursed villages, or remote mountain regions, where ancient legends come to life and unsuspecting characters find themselves ensnared in the web of fate. By drawing upon ancient myths and legends, these films create immersive and chilling experiences that bring audience universal fears while celebrating the unique cultural heritage of Japan and Korea.
Linyong Xia (3035951923)