[Reading Response] LI LOK YI – “Teahouse, Shadowplay, Bricolage: ‘Laborer’s Love’ and the Question of Early Chinese Cinema”

This article illuminates the roots of Chinese cinema, exemplified by pioneers who produced groundbreaking films like “Laborer’s Love” despite numerous challenges. Their legacy continues to influence contemporary cinema, including Hong Kong’s film industry. For example, Wong Kar-wai’s “In the Mood for Love” mirrors the depth and nuance of its predecessors. Similarly, “The Battle of Dingjunshan”‘s influence permeates Hong Kong’s epic historical dramas like John Woo’s “Red Cliff”.

Early Chinese filmmakers’ innovation, evident in Zhang Shichuan’s blend of shadow play and bricolage, resonates in Hong Kong cinema’s genre fusion, as seen in Stephen Chow’s “Kung Fu Hustle”. The article underscores the power of art as a catalyst for change and a reflection of societal issues, a concept very much alive in Hong Kong’s cinematic heritage. Their inspiring journey reminds us of the importance of perseverance, creativity, and innovation, lessons that echo in the ever-evolving Hong Kong film industry.

————Li Lok Yi 3036253902

1 thought on “[Reading Response] LI LOK YI – “Teahouse, Shadowplay, Bricolage: ‘Laborer’s Love’ and the Question of Early Chinese Cinema”

  1. Dilruba says:

    Your response addresses the challenge of Chinese cinema, but you did not explain it. You also mentioned how Chinese cinema influenced Hong Kong cinema, but the process is unclear. Could you explain what features represent these influences and how they are presented in Hong Kong or Chinese films?

    Reply

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