[READING RESPONSE] The Urban Milieu of Shanghai Cinema

The article discusses the development and environment of Shanghai cinema during the 1930s and 1940s, highlighting various factors such as the emergence of print culture and the influence of Western films, particularly from Hollywood. I would like to express my viewpoint on a few specific aspects.

Firstly, during this period, Chinese films were heavily influenced by foreign cultures. For instance, the movie “Crossroads” borrowed dream sequences from Hollywood musicals, while “Yeban Gesheng” incorporated elements from the popular “Phantom of the Opera,” showcasing overt influences from expressionism. Additionally, the epic film “Godness” created a sustained lyrical mood reminiscent of the works of the French master, Robert Bresson. The infusion of overseas movie culture truly enriched the content, style, and dimensions of Chinese films. However, despite the relatively successful incorporation of these elements, there were still areas that needed improvement. For example, the use of random Western classical music in “Crossroads” felt awkward, and the refinement of Chinese filming techniques and skills was necessary.

Another significant impact of the introduction of overseas movie culture was its effect on the Chinese audience. The incorporation of cross-cultural elements played a crucial role in making movies popular among the Chinese public. Despite the challenges and differences encountered when merging domestic and overseas cultures, it undeniably exposed Chinese people to the modern culture of Hollywood.

Despite challenges in merging domestic and overseas elements, the cross-cultural influences were undeniable and played a crucial role in shaping Chinese cinema and audience preferences.

Shao Boning, 3036127373