Japanese monster films introduce not only monsters but also catastrophic events (natural and manmade). Take earthquake and Godzilla as examples. Earthquake is usually being featured in Japanese films and is due to natural factors. Likewise, Godzilla is a rather well-known fictional monster created by the Japanese. It was empowered by nuclear radiation.
Tsutsui argues that the elements mentioned in these Japanese monster films are closely related to their culture and history. These elements have mirrored Japan’s ‘historical vulnerability’. The article also mentions that most of these films have a happy ending, in contrast to the harsh reality. Furthermore, Tsutsui also introduces Murakami Takashi’s work. He uses his typical cartoon-style drawing to depict the scenario of the atomic bomb incident. The contrast between the artwork and the reality implies the hope for the rebuilding of their homeland. This might also explain the relationship between destruction and reconstruction.
Fung Cheung Tsui 3035858860
What are the different thoughts on apocalyptic film/ artworks? Some actually criticize the embedded historical amnesia in these works. What are your thoughts on it?