Reading Response: Ancuta

In this chapter, the anthor has brought her view on the relationship between urbanization and supernatural beliefs in Asian cities, and that reminds me of so much common issues modern people are facing nowaday. The writer mentioned that ghostly figure is particularly relevant in asian cities due to their strong cultural connection with ancestors. This was initially not a bad things, but I agree with the author that this reveals a serious issue of urban people. In modern society, people are often filled with loads of pressure. Especially in some fast-growing asian country such as China, people needs to stay

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Reading Response: Katarzyna Ancuta

First, The article talked about the originality of ghosts in films: the residue of the past and the comeback of trauma. The locations of Hongkong ghost films are mainly in the apartment, and the author explains that the apartment is often divided into several “coffin homes” for poor people to live in. Those poor people can not afford the cost of graves to have a proper burial so their souls roam the earth. However, with the process of urbanization and capitalization, the ownership of a grave has become a luxury. The majority of the dead are likely to stay apartment-bound.

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Reading Response: Ancuta, K.

The article explores the depiction of ghosts in Asian horror films in the context of urbanization, and explores the relationship between humans and ghosts in Chinese ghost narratives, highlighting the cultural and religious beliefs that underpin these relationships. Firstly, the article examines how Asian apartment horror films portray ghosts. In Asian cultures, it is normal for Asian cities to accommodate ghosts alongside the living. Especially, films made in Japan and South Korea show the alienating character of modern urban communal lifestyles. Besides, the relationship between humans and ghosts in Chinese ghost narratives is also discussed. The article demonstrates how ghosts

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[Reading Response: Ancuta. K. and Cheung E. M. K.]

In Hong Kong movies, housing complexes frequently appear as haunted locations. The ownership of a grave has become another luxury that few in Hong Kong can afford due to the lack of available space. Apartments are often further divided into several tiny cubicles, aptly named ‘coffin homes,’ where the poorest of the poor live their ghostly lives. The deceased will likely remain segregated if there is no suitable grave to rest in. The fact that the apartments in Hong Kong are called “coffin homes” is not an accident. Most apartments are leased instead of purchased, so human presence in them

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[Reading Response: Ancuta. K. and Cheung E. M. K.]

After reading the article ‘Communal After-Living: Asian ghosts and the city,’ I think that the ghost in the film symbolizes the disconnect between the living and the dead, particularly in contemporary urban settings where the two are divided by physical barriers. The concept of “loneliness” is really important in ghost-themed movies. Ghosts in movies can be viewed as a representation of this isolation and the loneliness of contemporary urban life. Moreover, referring to the article ‘In Search of the Ghostly in Context,’ ghosts are used in Fruit Chan’s films to symbolize both the teenagers’ struggles in today’s urban environments and

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[Reading Response]: Ancuta, K.

Ghosts are a recurrent theme in Hong Kong movies due to Chinese culture’s animistic beliefs and practices. While the Chinese Communist Party repressed supernaturalism because of its perceived incompatibility with materialist ideology, the territories could flourish in the film industry with this subject. Particularly in Hong Kong, the ordinary but dense apartments constitute a place where a large number of both the living and the dead cohabit. Asian apartment horror films share the characteristics of also alienating the urban lifestyle as ghosts stand out from the living, but both of them display signs of loneliness and isolation. The ghosts represent

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Reading Response: Katarzyna Ancuta

The article highlights the significance of ghosts as an element in apartment horror films and explores the potential social issues represented by these films. What attracts me the most is the similarity between the living and ghosts when face with loneliness and isolation. Ghosts are usually only seen by a specific group of people and can only move within a certain range or through several media, which is the loneliness of ghosts. In addition, due to city redevelopment and modern transition, humans are controlled by the pressure multidimensionally and are forced to experience loneliness. When the building structure is isolated

Continue readingReading Response: Katarzyna Ancuta

Reading Response: Katarzyna Ancuta

Name: Leung Cheuk Man, Anson UID:3036104620 There is an insightful article written by Katarzyna Ancuta in which she explores the cultural significance of Asian ghosts in relation to communal living and urbanization in her article, Communal After-Living: Asian Ghosts and the City. Throughout the book, the author effectively argues that Asian ghost stories reflect a culture that emphasizes the interconnectedness between the living and the dead, and that these ghost stories provide a means for us to connect with the past as well as with the communal afterlife and the world of the dead. The essay provides an interesting perspective

Continue readingReading Response: Katarzyna Ancuta

Reading Response: Katarzyna Ancuta

Katarzyna Ancuta’s article ‘Communal After-Living: Asian Ghosts and the City’ explores the significance of Asian ghosts in relation to communal living and urbanization by examining the cultural significance of Asian ghosts as they relate to communal living and urbanization in our world today. It is effective for the author to argue that Asian ghost stories are reflections of a culture that emphasizes the interconnection between the living and the dead, and can be used as a means of connecting with the past and to connect with the afterlife collectively, and this can serve as a means of connecting with the

Continue readingReading Response: Katarzyna Ancuta

Reading Response: Katarzyna Ancuta

It’s not usual to see analysis on ghost themed movies. Horror movies are relatively underestimated since people usually treat them ways to seek excitements so the plots and techniques tend to be ignored by the audience. However, this reading lists out many symbols of ghosts may represent, especially connecting to modern people’s living condition and life style. In mega cities, senses of insecure and unfamiliar create a fear that specific to city people which gradually develop into a social notion, which thus converge into the ghosts in these movies. I would like to share my idea over the horror movie

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