The reason why I chose a corner of Temple Street in Hong Kong is to use neon lights to reflect the warm colors of the rain, as well as the feeling of a night less city with people passing around on the street in the midnight, gangster hanging around, prostitute etc to further highlight the helplessness of the main character.
Yan Chi Hong
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Could it also be a time-lapse shot in which the background changes from bright and crowded to dim and quite?