Reading Response-In search of the Ghostly in context- Chan Wing Sum

“In Search of the Ghostly in Context” provides interesting insights into Fruit Chan’s film “Made in Hong Kong” and its exploration of the ghostly. The use of ghostly elements in the film challenges our usual way of understanding the city and its history. What intrigues me is how the ghostly elements disrupt traditional storytelling and invite us to question our preconceived ideas about Hong Kong. By introducing supernatural elements, the film presents alternative perspectives and marginalized experiences, breaking away from dominant narratives. The idea of the ghostly representing memory and unresolved past is particularly striking. It reminds us that cities

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Mood Board – Blue Moon

The mood board visualises a calming place with rhythmic tides and a full moon in the sky. Nature such as butterflies and flowers are also an important element in this board. The main colour palette is blue with some fillers of white and black. Chan Wing Sum- 3036270429

Moving House- Chan Wing Sum

It is unfortunate that the family will have to relocate the graves of their ancestors due to the shortage of land in Singapore. It leads me to think about whether this is ethical, and are we supposed to respect the final resting place of the dead. However, I am glad that the family remains to have a positive outlook on the situation.

Field Trip Report

Link to Podcast Transcript: Z: Hi I’m Xiong Na Zona! I: Hi I’m Isabel!   Z: Isabel, did you manage to get your old shoes fixed? I: Yes! I looked for a long time before I managed to find this shoe repair shop. It was situated in a small alley. Z: I see this sign every time I walk past Mong Kok. I feel like this run-down repair shop seems out of place among the bustling streets.   I: Yes it does. But they did an excellent job despite their unassuming appearance.    Z: That’s great! I’ve been seeing these places

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[Reading Response]

[Reading Response] Cuts Through Hong Kong The film “In the Mood for Love” is a visually and emotionally rich exploration of love and urban life in Hong Kong. It depicts the complexities of human relationships as the two protagonists navigate the maze-like cityscape. The film’s focus on interconnected domestic spaces, such as bedrooms, hallways, and streets, highlighting the vibrant and intimate nature of the city’s living spaces. These private spaces feel public, with neighbors knowing each other well, which I find contrasting to modern day society, where neighbours may not recognise or greet each other. The movie also portrays Hong

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