Reading Response: Carl Abbott

As described in the article, the concept of the migratory city has appeared in many science fiction novels and films. Generally speaking, these cities have spawned movable features from ordinary immovable cities, mostly due to environmental destruction, resource depletion, severe pollution and inevitable natural disasters. These fictional and cinematic settings are not just about environmental protection and the sustainable use of resources, but also include other elements such as energy, social class, and humanity. The concept of these mobile cities is not a figment of the imagination, they are also based on real cities. In The Scar, the city Armada

Continue readingReading Response: Carl Abbott

Reading Response: Carl Abbott

In Abbott’s article, migratory cities in science fiction are able to ‘fly, walk, crawl, roll, creep and float’ under future advanced technologies. These cities have the ability to break down geographical boundaries and maintain high mobility, and a concept of urban dystopia inside these cities often exists. Fictional examples include the eternally-moving train in Snowpiercer to face the man-made ice age, self-sustained movable robots depicted in Walking City,high-tech ships shown in Battlestar Galactica etc. In my opinion, these migratory cities stimulate the imagination about what our future looks like by providing a visualization of a fictional world. We can imagine

Continue readingReading Response: Carl Abbott

[Reading Response: Carl Abbott]

Our traditional notion is that cities are static. I am using the word ‘traditional’ here, but the notion is by no means outdated. I do not think that Tokyo is moving, nor do I believe that there are any plans for its migration. Despite this, there are many movies that portray migratory cities. For example, in Snowpiercer, a city is presented in the form of a constantly moving train. As far as I know, this is because the movie depicts a world (presumably in the future) where environmental problems have forced people to live in a train that collects energy

Continue reading[Reading Response: Carl Abbott]

Reading Response: Carl Abbott

Abbott’s reading depicts how movies echos with society. For instance, the idea of a moving city seems unrealistic, but is built for very realistic reasons in movies. Such as the rising sea level in Flood(2009), ice age due to human-engineered failure in Snowpiercer(2013). These environmental and social crises are inspired by real-life issues such as global warming, then exaggerated through movies to act as a warning to society. But why setting in a movable city instead of a normal one? In my opinion, the limited space in them makes movies more likely to criticize the seamy side of society and

Continue readingReading Response: Carl Abbott

Reading Response: Carl Abbott

Movable city refers to moving, machine-like cities. The cities tried to produce and sustain on its own and the people there as well. One of the forms of these cities is a train on a trail. These movable cities usually plotted on dystopian contest, like environmental crisis and mass destruction etc. Fictional cities are self-sustaining and fragile. For example, the train city in Snowpiercer cannot live without the engine in front of the train.  So, the city may depend on certain object a lot.Also, dystopian meanings like extreme social stratification and monopoly of power can be added into these contexts

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Reading Response: Darrell William Davis

This article has discussed a lot about the relationship between technology and ethnicity in films. The writer has used the film Blade Runner to discuss the relationship between humans and replicants. If replicants have self-consciousness and faith, can we regard them as humans? I think cyberpunk stories always attract me because they are inspiring. They show conflicts that might happen when there is high technology but a low quality of life. Also, the architectures in this kind of film are very amusing because they are usually high-tech such as a smart home.   The writer also describes Hong Kong as

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[Reading Response: William M. Tsutsui]

Since the Cold War and World  War II, more monster films started to appear and all of them focus on the destruction of the city. The vulnerability and terror to disasters and atomic bomb are fully reflected in these films. Similarly, the Godzilla is also a metaphor of disaster and destruction. Japanese people may be anxious about the war and disasters that may happen in the future. However, there is also optimism hidden in this film. The Godzilla is finally defeated because of the unification of the society. It also demonstrates that their strength and power can overcome everything with

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[Reading Response: Darrell William Davis AND William M. Tsutsui]

In Tsutsui’s article, the author sorts out the source of the monster story genre. After reading it, from a personal point of view, the appearance of Godzilla does not point to the United States but to the old Japanese Empire. Why does Japan always show a “two-beat jazz” between destruction and reconstruction in movies? Why are the Japanese people so obsessed with this? The reason for this is not just the fear of Japan, but also the desire for liberation and closure (Freud), the fear of the old Japanese Empire, and the joy of rebuilding that ended the war with

Continue reading[Reading Response: Darrell William Davis AND William M. Tsutsui]

Reading response: Tsutsui W.M.

The famous movie Gojira 1954 is considered as an expression of the public impression of nuclear explosion and natural disasters. The brooding and dark film during that time expresses the phobia towards the nuclear science which more Japanese people not familiar with. Since the period that Tokyo is still well-known as Edo castle, earthquakes and fire disasters never ended. The city is like being cursed that at least 31 fire disasters happened in the 5 centuries which is the whole history of this city. Gorija is not just a character, a monster that plays negative role in the film, but

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Reading Response: Darrell William Davis

In his article, Tsutsui makes a connection between the popularity of disaster films in Japan and social problems in Japan. It is well known that disaster films illustrate the devastating impact that disasters have on society and the built environment. It is popular for a reason: Japan is known as a nation with a high density of citizens, and indeed a big income gap between the rich and poor. Films about disasters often depict such a world after a huge disaster; the world is rebuilt to eliminate the gap. In such a world, everyone gets to begin on equal footing.

Continue readingReading Response: Darrell William Davis