Reading Response: Roland Barthes
Barthes, Leaving the movie theatre. Especially considering Man with a Movie Camera, (MWAMC) Barthes discussion points to a kind of dual watching and ‘situation’ that occurs with cinema. The practices and embodied experience around the viewing of a film and the making of a film are nodded to and part of the narrative of MWAMC as the act of looking and being looked at are layered in the film. We indeed experience the ‘narcissistic body’ when being fully immersed in the unfolding images, and the ‘perverse body’ that is more aware of the third space between yourself and the screen