Field Trip 2: The MTR

Tracking Filming colors of different MTR Station walls by tracking static objects Differentiation of Speeds Videoing walls of Wong Tai Sin Station inside the running MTR Colors of walls of Wong Tai Sin Station are differ (yellow and brown). As the speed of MTR augmented, it is more difficult to observe the station name on each wall. Observers are only allowed to see colors (white and black) of the characters and their existing background colors, while it is almost impossible to see any details of the pattern of walls. The yellow color seems to attract people’s sights even when MTRs

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Fieldtrip 2: Tram – Curves

The five point of views focus on the idea of curves. The straight and parallel tracks for trams are symbolic. But to me, curves possess more qualities and offer more possibilities.  High Angle The high angle shot puts emphasis on the parallel curved tracks. The curves allow the tram to change its direction, the flexibility of curvilinear design or curves itself enables changes.  Low Angle and Framing Using objects (stores, buildings and cars) as a frame, viewers’ attention is naturally drawn to the curved tracks and the moving tram. The low angle shot provides a closer look of the tram

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Field Trip 2: Tram

Tilt Shift and Time Lapse   While on the tram, the scene I could catch out was the miniature-like view of Hong Kong. Compare to the size that I actually observe, size on the screen was way more smaller than it was. So I tried to demonstrate the tilt shift method by using some time lapse in horizontal, vertical, and diagonal angles. “Children of the Millennial” Co-existence of old and new generation of Hong Kong was the subject matter that I tried to merge in two different video clips. This distinct contrast paradoxically explains continuous legacy from the past to

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Field Trip 2 MTR: Getting on and off

Slow-Motion + Special Angle https://vimeo.com/user95735013/review/320953367/43ee339041 This video features the scene of passengers getting off and on the MTR. It is recorded at the feet level so it concentrates on the movements and overlapping of legs. Also, the part which passengers get off are slow-motioned to make the focus, that’s the movements of legs, even more obvious. The background noise is also minimized at that part so that viewers will be directed to concentrate on the flow of passengers. Framming + Surprising location https://vimeo.com/user95735013/review/320953391/459a650625 This video is filmed by looking at the monitor which is designed for the MTR driver to

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Field Trip 2: Dispersion and Convergence through the Tram’s Eye

Static Camera Capturing Dynamic Subject When light and wind from outside converge with fluid clothing of passengers, a static camera amplified the movements with the help of static objects (eg. knees). Isolation of Speed The slow-motion in between two fast-forwarded videos highlights the driver who is seldom noticed/ thanked by the dispersing passengers. Camera Placed in an Unexpected Location From this angle, the projection of street views overlaps the tram’s internal conditions temporarily, then disperse as the reflection changes. Framing By making use of the tram’s frame and the bridge, several contrasts of speed are found as people and vehicles converge

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Field Trip 2 (Central Escalators)

‘Camera is Static’ Films represent architectures that we encounter in everyday life. In the movie Chungking Express(1994), the midlevel escalator is utilized as the main setting. It shows how an everyday space where people pass by could be used to display a specific story line. After the movie was released, Chungking Express became famous for how it related the subject of loneliness and companionship. The movie just didn’t have an impact on the film industry, but it also influenced the mid-level escalator to become one of the most famous tourist sights in Hong Kong. In this video, I wanted to

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Fieldwork 1: Market Streets

Perspective The lake of ambition reveals only the light and the dark of possibilities but never its depth. Focus Illusion alters our reality, alters our perception, and ultimately our fate. Seriality “Solitude is a chosen separation for refining your soul. Isolation is what your crave when you neglect the first.” – Wayne Cordeiro Zoom Do numbers qualify our soul, or quantify our shell? First-person perspective In this mockery of “education”,  the deeper it gets, the wider the lie. Wide-angle Only one of the many would see a beam of light rather than a wall of height. Skewed angle Why do

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Field Trip 1: Rooftops

11. Serial – Current circuits Zoom This photograph was taken at the first rooftop, and the subject of mechanisms for electrical work, found on the floor near the corner of the wall. There were multiple of these units in the close vicinity of each other. I was drawn to them, at first thinking they were air conditioner units or architectural models of buildings. I crouched down to get on the eye level, and on closer inspection, I found that the ridges had circular holes and patterns. The view I saw reminded me of architectural photography, as these units paralleled to

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Alleyways in Jordan and Mongkok

Wide-angle: There are multiple activities happened in this alleyway which located near Pak Cheung Building. Zoom:This is a “table” in the alleyway to place some tools for the small fabrication workshop across. Focus: The ruler on the “table”. Crop: The “table” crop into the view when taking photos of the alleyway. Bird’s eye: Bird’s eye to show part of the layout of the alleyway. Worm’s eye:  From worm’s eye to see the alleyway is still narrow. First person view: The First person view shows one of the activities happened in the alleyway — playing mahjong Skewed angle: Skewed angle to

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